DJ Jaymz Nylon – Adult Selections #202

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*Adult Selections Live will not be available in the U.S. market.
A Mixcloud upload of Adult Selections will be available at the same time as Friday’s broadcast. Thank you for your continued support!!! Jaymz

Adult Selections
Where The Music and Dancer Fall in Love!
Every Friday on Motion FM/Deep MotionFM

DJ Jaymz Nylon – Adult Selections #202

Playlist:

Dvine Brothers, Feat, Magic Soul, Lahv – Pillow Talk (LAHV Remix)
IndySoul – Take Me Higher (Main)
Jaymz Nylon Feat. Darrius – So Excited (Zulu’s At Work Prelude Time Mix)
Dawn Souluvn Williams, Derrick Ricky Nelson – Stand (Original Mix)
Dj Fudge – Everybody’s Dancing (Original Mix)
LeMel Humes, Timmy Regisford – LeMel Humes, Timmy Regisford
Deeper Love Blames Brown – Jaymz Nylon Remix
Doug Gomez – Tribes Of The Jaguar (Merecumbe Pounce Mix)
DeeJay Sound, DJ Pope – African Computer Dance (DjPope’s Sound Of Baltimore Unreleased Mix)
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Youss – Lola (Original)
S3A – Feels Like Garage
Ponty Mython – Ruddy’s Loop

Duration: 60 min
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London: 20:00
Paris/Berlin/Johannesburg: 21:00
Sydney/Melbourne: 06:00
Sao Paulo/Buenos Aires: 16:00
Tokyo: 04:00

Deep Motion FM
http://www.motionfm.com/

Mixcloud

#STEMS #afrohouse #deephouse #afrotech #soulfulhouse #traxsource #nativeinstruments #traktorkontrols8 #jaymznylonofficial #nylontrax #motionfm #adultslectionsradioshow #nylontraxbandcamp #soulfunkdisco #techhouse #traktors8willtravel #mixcloudjaymznylon #mixcloud #itunespodcast #nudiscoindiedance #realhousemusic #boston #radio

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DJ Jaymz Nylon – Adult Selections #170

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Click here to subscribe to the Adult Selection iTunes Podcast…

DJ Jaymz Nylon – Adult Selections #170

Play List:

Coburn Dialect – Microscope (Original Mix)
Luka, Maya Spector – We Had Freedom (Original Mix)
DJ Ndo-C – Domesticated Groove (Original Mix)
Corrugated Tunnel feat. Droze – When There Was House (Original_Mix)
Jaymz Nylon – Hoshin – Protect Your Magic – Deique Bleu Remix – Nylon Trax
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Siren, Darshan Jesrani, Dennis Kane – Paradise
Jaymz Nylon-Dim The Lights-Afrotech Reshape – Nylon Trax
Glass Slipper – All That (Original_Mix)
William Rosario, Joseph Mercado – Deep House (Vocal Mix)
Vilas – Broken Dream (Original Mix)
The Peacemakers, Fusion – I Wanna Know (Fusion Mix)
Wilson Kentura, Tiuze Money – Reverie (Original Mix)
Zepherin Saint, Afrotech – Canima(Feat. Adama) (Afrotech Remix)

#STEMS #afrohouse #deephouse #afrotech #soulfulhouse #traxsource #nativeinstruments #traktorkontrols8 #jaymznylonofficial #nylontrax #motionfm #adultslectionsradioshow #nylontraxbandcamp #soulfunkdisco #techhouse #traktors8willtravel #mixcloudjaymznylon #mixcloud #itunespodcast #houseclassics #nudiscoindiedance #realhousemusic

Booking Inquires for Jaymz Nylon

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The Misunderstood Sync Button – 5 Essential Tips For Better Sync Mixing…

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via: digital dj tips

In How To Move Past Select-Sync DJing last week, we looked at a common dead-end that novice digital DJs sometimes find themselves in, caused by trying to DJ with massive, poorly-chosen music collections, and leaning so heavily on the sync function of their software that they end up missing a lot of what DJing is really about.

As I said in that piece, though, there’s absolutely nothing wrong with the sync button. Sure, it’s a great idea to learn all the manual skills of DJing (and we mentioned learning to scratch as a fun way to do that “by the back door”). But meanwhile, if you understand the shortcuts you’re taking, you can produce great DJ sets with nothing more than a well-chosen, sensibly sized music collection and careful sync-based mixing. So today, I’m going to give you five tips for beatmatching using the sync button.

 1. Understand what your sync button is doing

At its most basic, sync matches the tempo of the new track to that of the old one (“tempo sync”). Most nowadays move past that, by also locking the kick drums (“thud”, “thud”, “thud”) together so you don’t have to manually “nudge” the tracks or keep pressing the button to keep them in time. Sometimes, sync will also attempt to lock whole musical bars together. (A bar of music is, 99% of the time, four beats – eg “thud”, “thud”, “thud”, thud” in house music).

At its very basic, sync matches the tempo of the new track to that of the old one.

It’s worth taking the time to read up in your software manual what options are available for your particular sync button, and consciously making those settings so you’re sure as to exactly what’s happening when you press it. This will give you confidence, and allow you to troubleshoot sync if things end up not sounding like you think they should.

It’s also worth understanding what “beatgridding” is and does (basically, it allows you to “tell” the software about the beats in hard-to-sync songs, meaning they’ll always sync up right with fewer undesired mismatches), again as it will give you more confidence, as well as allowing you to mix with a wider selection of material.

2. Always be counting!

All good DJs count. Counting is actually more important than mixing. If you can drop the next song in on the right beat, even if you just stop the old one and start the new one with no mix at all, you can DJ in front of a dancefloor and keep them happy. But if you can’t count beats and bars, no amount of fancy mixing is going to make your DJ sets acceptable.

Beats and bars

If you’re not counting beats and bars, you’re doing it wrong: That’s how essential this is to mixing.

You’ve already learned what a bar is (usually, four beats). The important next number is eight. Most dance music is built up of eight-bar musical phrases. Try it – try counting eight sets of four beats while listening to any dance track, and you’ll hear that melodies repeat, elements appear and leave the mix, breaks start and beats return and so on, nearly always on the first beat of the next eight-bar phrase.

Of course, all rules are made to be broken, but every dance track that breaks these rules does so knowingly. Once the novice DJ realises the importance of this, and starts to adjust the way he mixes accordingly, his mixes always improve immeasurably.

3. Choose your moment wisely

One step up from recognising that music tends to be built in eight-bar phrases is understanding the way these phrases fit together to construct the whole. On a very basic level, elements arrive in a track, they are woven together in the middle, and towards the end, they are removed.

Often with house, the start and end of a track has a few eight-bar phrases where not so much is going on, and these are natural places to mix. The idea is to avoid mixing clashing elements over each other. That means no duplication of basslines, vocals, melodies that don’t match and so on.

Only by knowing your tracks well will you learn without thinking where elements arrive and leave the mix, and eventually, which tracks mix well and which not so well…

The obvious exception to this rule is kick drums. Generally, lining up kick drums is what keeps the dancefloor happy, and forms the basis of beatmatching. But even then, it can be a great move to only have one kick drum “going” at once, by turning the bass fully down on the other.

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Being able to “choose your moment wisely” is why it’s so important to have fewer tracks in your collection, but to know them better: Only by knowing your tracks well will you learn without thinking where elements arrive and leave the mix, and eventually, which tracks mix well and which not so well with the others in your collection. There’s no substitute for knowing your tracks inside out when it comes to delivering great DJ mixes.

4. Mix decisively

Armed with the knowledge from the first three points (what your sync is actually doing, which bar of the current musical phrase you’re on, and what elements are arriving into or leaving the mix in each of the tunes you’re trying to mix), your next step is to mix convincingly. To do that you have to be decisive.

Think about it this way: Elements tend to arrive into and leave the mix suddenly. A vocal starts; a riff drops; the kick drum disappears at the beginning of a break; the main melody line arrives, and so on. Now this isn’t always the case (sometimes, a filtered riff slowly appears, for instance), but it is the case more often than not.

Crossfader

Slamming that crossfader in is often the best way to mix, rather than apologetically trying to introduce the next track and hoping nobody will notice.

So accordingly, you should be bold. Try dropping the next track at the start of a phrase at full volume. Try just plain switching from one track to the next, no mixing at all. Try having both tracks at full volume for eight bars, then immediately removing the first.

Basically, try to copy what the producers have done, which more often than not means decisively dropping elements in at a decent volume, right there on the first beat of an eight-bar musical phrase.

Because often the bolder you are, the less people will notice the mix!

What you shouldn’t do is be scared that you’re going to mess up, and so very carefully mix the next track in, real slowly, real quietly, hoping nothing will go wrong. You can produce OK mixes this way, but they’ll rarely be great.

(Of course, you can mix subtly at times. If you’re mixing a slowly developing riff in to an outgoing track you may decide to use your filter effect and do so very gradually, for instance. But you’ve still made the conscious decision to do so. You’ve still been decisive.)

 

5. Judge your mixes when you listen to the recording, not when you actually do them

You do record your mixes, don’t you? If not, you must start – now. It’s one of the fundamentals of improving your DJing.

When you listen back to your mixes, that’s the time to judge how well they went. It’s just like reading back over something you’ve written the next day – you always spot improvements, because you’re now in the mind of a reader, not a writer. It’s the same with DJ mixes – the next day, playing your mix back in your car or on your MP3 player, you’re listening like a non-DJ rather than like a DJ.

You do record your mixes, don’t you? If not, you must start – now. It’s one of the fundamentals of improving your DJing.

I promise you that when you do this you’ll be surprised; surprised by what you notice and what you don’t, surprised by the mixes that worked and that didn’t.

Often, the ones you were really pleased with when recording lose their shine the next day, and those that felt rushed, or that you didn’t think worked at all, sound great.

By doing this, you’ll learn what’s really important in mixing two records together, and in particular, you’ll start to realise that the points above – choosing your moment, being decisive, respecting beats and bars – are actually far more important than just trying to get fro one track to another without being noticed. All good DJs know this, and using these methods, it’s easy enough for you to learn too – with or without the sync button.

DJs Jaymz Nylon & Joey Webb Recorded Live @ Passage Sept. 12, 2012 (3+hrs)

(No this is not a photo of Jaymz and Joey it’s by Fine Art Photographer: PHYLLIS GALEMBO)
Here is the DJ set of Jaymz Nylon & Joey Webb Recorded Live @ “Passage” Sept. 12, 2012 at ETG in Seattle, WA.
Jaymz and Joey turn this House into a Home every Wed. night
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Some have already referred to “Passage” as church, home or just a great event where they can move freely, removing the shackles from the daily grind and to share their love of the dance. 
DJ’s; Jaymz Nylon and Joey Webb’s well curated selections of the deep and soulful House Music is overflowing with their love and passion for the music. 
Upon entering “Passage” the listener will immediately feel welcome and a familiar warmth as now they have truly found their House Music Mecca…
Passage “a night of spiritual release…”

Traktor S2 and Traktor S4 Track Prep Tools by Ean Golden…

DJ Tech Tools have created this track preparation mapping for Kontrol S2 and S4, which comes in handy if you want to beatgrid tons of tracks. It also demonstrates how to align your beatgrids to the master “click”. Recommended!
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Pitch – Touring Grade Midi Controller With High-Resolution Pitch Faders…

Pitch is a touring grade midi controller with high-resolution pitch faders and integrated USB hub.

Pitch is a class compliant freely mappable USB MIDI controller. Pitch is a perfect complement to your Kontrol X1 based Traktor setup for those difficult to sync tracks and acapellas. Or configure Pitch as a 2-channel MIDI internal mixer or effects controller.

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Serato Scratch users can use Pitch with similar functionality or use as an alternative to control discs and vinyl.

Pitch can also be used with Ableton Live or in the studio with any class compliant MIDI controller software.

PASSAGE w/DJ JAYMZ: A Night of Spiritual Release in Seattle, WA…


It was pure destiny that New York dj / producer Jaymz Nylon widened his horizons by moving from east coast to the west coast early 2012.

It started with a request to use Nylon’s vocals on DJ Sulli “Our Sound” released on legendary Seattle label Uniting Souls Music. After a few more coincidences Jaymz and family were presented with an opportunity & change of lifestyle, involving relocating to Seattle. In his often referred to buttery baritone voice Nylon said, “I was destined to migrate to Seattle and to share in it’s love of music and contribute to an already amazing music scene.

Before leaving New York Jaymz was introduced via Facebook to the like minded soul Patrick Mouton of Seattle’s prestigious venue, Electric Tea Garden in Capitol Hill. The brothers gelled instantly and came up with the idea of Nylon starting a Wednesday DJ residency at ETG.

Jaymz Nylon’s first event at ETG will On July 18, 2012, with bi-weekly night called “Passage”. ” Passage ” is a journey to be shared by all and will act as a vessel for the deeper and more soulful side of House Music…

“Passage” a night of spiritual release…

bi-weekly journey to be shared by all, acting as a vessel for the deeper more soulful side of House Music…

Opening Event Welcoming Jaymz Nylon to Seattle

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Resident DJ:
Jaymz Nylon (Nylon Trax/Brooklyn, NY)
Guest DJs:
Ramiro (Uniting Souls, unitingsouls.com)
Atlee aka A.Treasure (Citysoul, Trust – Seattle)

No Cover / +21 9pm – 2am

(1402 E. Pike Street~Capitol Hill, Seattle)

Check out:  Jaymz’ Adult Selections Podcast