DJ Jaymz Nylon – Adult Selections #120 Pt. Two Live From The Monkey Seattle


Spanning the greater part of the last two decades, Jaymz has built an impressive back
catalogue of productions, not only diverse but wet with emotion. From Afro-Latin to deep
house, to old school acid house, to broken beat to disco, Jaymz’ magical record bag
knows no boundaries. In addition to traveling the world over Jaymz has touched down
with labels like Tribal America, Nitegrooves, Irma, and of course, his own Nylon
Recordings — proving that quantity and quality can both bunk in the same house. To
date Jaymz has released three full albums, over a dozen remixes, and an even longer
list of singles. And, still going strong; a new member of MotionFm’s five-star
cadre, Jaymz’ “Adult Selections” podcast will be sure to leave no rock unturned.

………………………………………………………………………………………………………………………………
*For iTunes Users Song Links have been included when avail. and Click here to subscribe to the Adult Selection iTunes Podcast…

DJ Jaymz Nylon – Adult Selections #120 Pt. One Live From The Monkey Loft Seattle

Artistpure – Maybe Baby (re-search Dub Mix)
Dovie Cote – Underwater Groove (Original Mix)
Spread Love (DJ Spen & Soulfuledge Agape Love Mix)
Naeem Johnson, Koffee TheFirstFloetress – Zanzibar Days (Original)
Johannes Brecht – Nuages (Original Mix)
France Deep – The Bass Song (Afro Club Remix)
Jaymz Nylon – Black Eloquence (Mateo Senolia Remix)
Erik Ellmann – Buck Up
Tom Trago – Hidden Heart of Gold (Original Mix)
House Of Funk, Oliver Night – You Got To (Club Mix)
Traumton – David Christie – Saddle Up (Teenage Mutants Remix)
Nathan G – Frank H Carter III – Depend On You (Nathan G Dub Mix)
Cafe 432 – Marcelle Duprey – More Than Lust (Original Mix)
Ron Carroll – Terry Hunter – Girl I Love You (Terry Hunter’s Main Mix)
SanXero, Mr. V, Louie Vega – Let’s Freak (Louie Vega Remix)
The Scientists Of Sound, Mario Gatto – Hammond Cat (Original Mix)
Crackazat – Silent Sing (Crackazat Rework)
Dee Jay Alicia, Black Widow, Mike Dunn – Gruv Me (Mike Dunn Black Ball 5.1)

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DJ Jaymz Nylon – Adult Selections #120 Pt. One Live From The Monkey Loft in Seattle 5-23-2015 by Jaymz Nylon on Mixcloud

Booking Inquires for Jaymz Nylon

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Jaymz Nylon – Two Release Tuesday!!!

NT047-NT048

1. Traxsource Exclusive Pre-Release Jaymz Nylon – “Ocean, Wind and Sun” – Nylon Trax

Jaymz Nylon fulfills your desire for an eternal Summer with his latest outing “Ocean, Wind and Sun”.
Nylon’s “Ocean, Wind and Sun” arrives just in-time for a Summer full of festivities may it be in intimate venues, festivals, poolside, on a hot beach or boat parties throughout the world. Also enjoy the lush organ remix by the talented Nylon Trax artist Leandro P.
Now go out and make some memories!

Written, Produced and vocals by: Jaymz Nylon
Mastered by James Thomas in the Nylon Trax Studio
Published by Man Made Nylon Music / BMG Chrysalis
(p) & (c) 2015 Nylon Recordings

“Hot stuff!” – Futurewife

“Feeling both of these. Espec the Organ Mix. Will play. Thanks!” – Headset Records

HOT Release!- Yogi

“Funky! Love it.” – Jeannie Hopper

“lush + soulful. classic Nylon Trax vibes here.” – DJ Alex (KEXP)

“Exotic dance… Love it! Can’t get enough of it! Jaymz Nylon’ unique sound arrived on the best beach next to you. The soulful Organ Mix by my fave Brazilian house maestro is rocking too… What a package!!!” – DJ Nova

“Smooth!” – Adam Warped

“Such a beautiful Summer Vibe!!!” – Stout XTC

“Diggin’ both the original from Jaymz Nylon and the remix from Leandro P.” – Andrew Duke

2. Worldwide Release:  Jaymz Nylon “Black Eloquence” – Nylon Trax

Jaymz Nylon “Black Eloquence“ is both fluent and persuasive in sound and feeling that reaches well beyond the dance floor as it also touches society’s moral pendulum.
“Black Eloquence“ features two wondrous and exalting remixes by Futurewife and Yoruba Records’ artist Mateo Senolia rounding out this sanguine release.

Click Here for: Beatport


“Black Eloquence is an eloquently beautiful song ! Love the Afrotech Reshape . Nylon Trax comes through with an amazing release again!” – Ray Seiler

“Dope-Deep!!! All tha trax r right on point! You know that bassline well wink emoticon I will b rockin’ it!” – Manny Cuevas aka DJ M-TRAXXX

Black Eloquence (Afrotech Reshape)
Jaymz does it again. The Afrotech Reshape is ready to be rocked in any set. That thick bass line and the throwback horn groove. So nice!! – John Velez

“Black Eloquence (Mateo Senolia Remix)
Great release, loving all the remixes. full support.” – Max Pela

“Futurewife brings the funk!” DJ Manos

“ Black Eloquence (Mateo Senolia Remix)
An Anthem By All Means Necessary!” – Delmar Browne

“Black Eloquence (Afrotech Reshape) Another Nylon Trax winner!” – Andrew Duke

“Spiritual and as always something more than ”everyday” house music. His Afrotech Reshape is my fave on the package, trumpet, late night effects… Excellent. First Mateo Senolia’s appearance on Nylon Trax and his Remix pushes Afro jazz level. Futurewife’s named Italo Trash Mix don’t sound so much Italo to me but more Euro, acidic funk and nervous something like Belgian New Beat that wanted to combatible with today dancefloors.” – DJ Nova

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Written & Produced by: Jaymz Nylon
Mastered by James Thomas in the Nylon Trax Studio
Published by Man Made Nylon Music / BMG Chrysalis
(p) & (c) 2015 Nylon Recordings

Jaymz Nylon “Black Eloquence“ on Nylon Trax

NT047-Jaymz-Nylon-Black-Eloquence copy
Jaymz Nylon “Black Eloquence“ is both fluent and persuasive in sound and feeling that reaches well beyond the dance floor as it also touches society’s moral pendulum.
“Black Eloquence“ features two wondrous and exalting remixes by Futurewife and Yoruba Records’ artist Mateo Senolia rounding out this sanguine release.


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Written & Produced by: Jaymz Nylon
Mastered by James Thomas in the Nylon Trax Studio
Published by Man Made Nylon Music / BMG Chrysalis
(p) & (c) 2015 Nylon Recordings

“Conversations” w/ Johnny Blackouts

Adam Warped_5

Nylon Trax has started “Conversations” a question and answer interview featuring Nylon Trax artists and collaborators.
“Conversions” proposes the same 10 questions to each artist but the focal point is not on the questions but lies the in their in-depth and inspiring answers.
Nylon Trax “Conversations”, putting a face on House Music…

First up we have Johnny Blackouts  aka Adam Warped in support of his freshman release on Nylon Trax “Jark Dazz”.

1. Would you please give the reader a little family background i.e.; Place of Birth, Current City you based in etc…

Johnny Blackout: Born in Flint, Michigan in the beginning of the Disco era and weaned on my father’s psychedelic rock records as well as my moms funk, soul, and disco 8-Tracks. Currently living in Austin Texas by way of San Francisco and via Brooklyn.

2. What are your short and long term goals?

JB: Short term -to increase my studio output and get to touring
Again. Long Term- interested in scoring films and music supervision

3. Passions and/or interest aside from music?

JB: I’m a total foodie, collector of bad tattoos, and whiskey aficionado.

4. Who has inspired you and why? It could be Artists, Bands, Activists, Politicians, Family Members, Teachers etc…

JB: I received a Jaymz Nylon mixtape in the early 90’s (perhaps from the store “House” on the lower east side, I forget) that completely turned me on to a life long love of proper deep house music. Big musical inspirations also would be Hardkiss, The Idjut Boys, Prince, Chicken Lips, Wicked Crew, The Chocolate Factory NYC, etc.

5. What message or advice you would like to give to music consumers/fans?

JB: Open you mind, challenge yourself, grow!
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6. Would you say that you lead a well-balanced life if so how do you stay centered? If not what changes would you make to achieve your desired result? Examples; Read more, exercise, better sleeping habits, more time with loved ones etc…

JB: I should hit the gym more often.

7. Name 3 or more of your favorite self-produced tracks or releases. Artist Name “Track Name” Label.

JB: Johnny Blackouts “Broken” Whiskey Pickle
Johnny Blackouts “Down The Hatch” Not So Fast
Johnny Blackouts “The Ballad Of Heaven Hill” Degrees Of Separation

8. Name 3 or more of your favorite tracks produced by others.  Artist Name “Track Name” Label.

JB: A Certain Ratio “Be What You Wanna Be” A&M
Future Sound Of London “Papua New Guinea” Jumpin’ and Pumpin’
Chicken Lips “He Not In”

9. Where would you like to live and why, City, Beach or Rural(Farm Area)?

JB: I’d like to live some where on the coast of the Mediterranean eventually, it’s gorgeous and the food is amazing and healthy.

10. What is more important, the sharing of music or the format in which music is shared?

JB: The music is most the important, format is just a mere formality of delivery. I support whatever it takes to deliver the music be it vinyl, digital, or even carrier pigeon.

11. JB: I feel like I should add that I like both kinds of music both
Country and Western 😉

‘Frankie Knuckles is to house music what Chuck Berry is to rock’n’roll’…

Pacha nightclub, Ibiza, Spain - 2012
 Leading light … Frankie Knuckles at Pacha nightclub in Ibiza, 2012. Photograph: Steve Black/Rex By:  Via: The Guardian

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Acid house legend Terry Farley agrees: “I’ve been thinking about this a lot recently and there really is no other figure like him. To our generation – and for those in the younger generations who dig a bit deeper to understand the history of house music – Frankie Knuckles was our spiritual leader.”

Next Tuesday, 31 March, marks a year since the untimely passing of Knuckles, the godfather of house, at the age of 59. It’s impossible to overestimate what a pivotal figure he was in the evolution of dance music. Not only did he inadvertently give the genre its name, but for three decades he remained a leading light in the worldwide dance music community. He is to house what Little Richard and Chuck Berry are to rock’n’roll.

One of the many millions whose lives were shaped by Frankie’s music is Steve Hall, head of the long-running British dance label Junior Boy’s Own, who came up with the idea of releasing a tribute record to mark the anniversary of Knuckles’s death. The first thing he did was call two of the label’s cornerstone acts, Underworld and Heller & Farley. Underworld were about to enter the studio for the first time after a long hiatus, and Hall suggested they cover Baby Wants to Ride, a track synonymous with Knuckles and the Warehouse. Knuckles played the then unknown Jamie Principle’s demo of the song on reel-to-reel, before going into the studio with him to re-record the track a year later, as a sleazy, spiritual, stripped-down Chicago masterpiece.

“It was Steve Hall’s idea,” Underworld singer Karl Hyde says, “and it actually ended up being the first thing we did when we got back together, which is kind of typical Underworld. We were chomping at the bit to do something new, and then Steve dropped this curveball idea in.”

Underworld had never covered a song before, although that didn’t dawn on them until they had finished. “Yeah, we didn’t actually realise until we had finished it,” laughs Hyde. “I grew up doing cover versions in a band as a teenager, so didn’t twig we’d never done one as Underworld! But that was good really, because it meant there wasn’t any apprehension of how we should approach a cover.”

As with most of the band’s peers, and anyone of the acid-house generation, Knuckles was a pivotal inspiration. “Yes, absolutely,” says Hyde. “In the early days of Underworld, Darren Emerson used to bring in Knuckles tracks when we were writing, for reference, or if him and Rick were making a mix, there would always be Frankie tracks in the pile of 12ins they were using.”

Knuckles’ patronage was key to Heller & Farley’s early releases 25 years ago, so they were equally keen to get involved. “He was a very important figure to Junior Boy’s Own when we first started,” Farley says. “Andrew Weatherall, myself … we weren’t even DJs, we were just kids with big record collections. It was only when the records we were making – whether that was X-Press 2 or Ashley Beedle and Black Science Orchestra, or the Heller & Farley stuff – were picked up and played in New York, mainly by Frankie, that things really changed for us. We never even sent him our records – I wouldn’t have dreamed that Frankie Knuckles would ever have played one of my records! – but he picked it up on import and started playing it, and all of a sudden all these big American DJs were asking for our records.”

What they ended up with was an interpretation of Baby Wants to Ride rather than a straight cover version. “It’s not sleazy in the Chicago way, like Jamie’s vocal,” Farley says. “It’s very British, but I prefer that. The original is one of the best records of all time, in the house world, so I don’t think anyone would want to hear you attempt to copy it. We were always about making a British interpretation of an American art form anyway. We try to make records as good as theirs, and fall short, but in a way that slight failure ends up being something unique in itself.”

Elton John

Pinterest
 Everyone worked on the new track for free and royalties went to the Frankie Knuckles Fund in Elton John’s Aids Foundation. Photograph: Jason Merritt/FilmMagic

Once the track was finished, the stakes were raised when Underworld’s manager got hold of Elton John, known to be a fan of Underworld and Knuckles. To everyone’s surprise, Elton threw his weight behind the release.

There were jokes about John possibly playing piano on the track. ““I can imagine Elton losing his temper with me and Pete in the studio,” Farley says.

He did, however, agree to support the record and help release it. “Knowing that the Elton John Aids Foundation had established the official Frankie Knuckles Fund in collaboration with Frankie’s estate and Defmix,” John says, “they offered to gift all royalties from the single to the foundation, which was great. Everyone who worked on the track did so for free, which just shows the respect people had for Frankie.”

As for why Knuckles’ legacy extends way beyond the dancefloor, John sees a wider picture. “Kindness, generosity and being true to yourself [as Frankie was], are the qualities that we need in abundance if we are going to end the Aids epidemic. This disease is still fuelled by stigma and people hiding in the shadows. Even today the greatest symptom of HIV is shame. Frankie’s legacy as an openly gay black man is that it’s OK to be who you are. The foundation will honour that legacy by using funds raised in his name to support black and gay communities, helping them to protect themselves from HIV and get access to confidential, sympathetic HIV testing and treatment if they need it.”

Farley adds: “There are certain ideals that people in the house community hold dear, and Frankie embodied them. He wasn’t just respected, he was loved, for the person he was and for what he stood for. The house community, worldwide, lost its leading light. Without a doubt.”

Baby Wants to Ride by Underworld, Heller & Farley and the Misterons is available from babywantstoride.com as a limited vinyl 12ins or a digital bundle. All proceeds go to the Frankie Kunckles Fund

This article was amended on 27 March 2015 to correct a reference to the possibility of Elton John playing on Baby Wants to Ride.

The 6 Powerful Daily Habits Of Successful DJs…

Worldwide Release!!! – Jaymz Nylon “Remix EP 3” on Nylon Trax

Jaymz-Nylon-Remix-EP-3-ART copy
After digging through the Nylon Trax archives Jaymz has reworked a couple of great tracks for the 3rd installment of his remix EP series.

“Power To The People” featuring Joshua Tree is a reminder that our civil rights are constantly under attack often resulting in death of an innocent, false imprisonment or the many other injustices that plague our citizens.
Joshua delivers powerful and timeless vocals that are drenched in pride and inspiration while Jaymz keeps you locked into a hypnotic rhythm that is both stouthearted and sumptuous.

 

“Shine Like A Star In The Morning” vocal is a direct reference of a Negro Spiritual or Field Song created by enslaved African people in the United States.
Negro Spirituals were primarily expressions of religious faith. Some may also have served as socio-political protests veiled as assimilation to white American culture and other songs contained explicit instructions to fugitive slaves on how to avoid capture, and on which routes to take to successfully make their way to freedom.
Jaymz stands firm on the original message and brilliantly frames the vocals into the modernistic Deep House sounds of today.
credits
released 14 March 2015
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Available at the following by clicking logo:
Logo_1junodownloadlogohiresiTunes_U_blacknylontrax

Written, Produced & Backing Vocals (Power To The People) by: Jaymz Nylon

Written & Vocals (Power To The People) by: Joshua Tree
Mastered by James Thomas in the Nylon Studio
Published by Man Made Nylon Music / BMG Chrysalis
(p) & (c) 2015 Nylon Recordings
Nylon Trax websites: www.nylonrecordings.com | www.nylontrax.com | www.facebook.com/nylontrax

DJ Jaymz Nylon – Adult Selections #103

nylon_trax_podcast_art
Spanning the greater part of the last two decades, Jaymz has built an impressive back
catalogue of productions, not only diverse but wet with emotion. From Afro-Latin to deep
house, to old school acid house, to broken beat to disco, Jaymz’ magical record bag
knows no boundaries. In addition to traveling the world over Jaymz has touched down
with labels like Tribal America, Nitegrooves, Irma, and of course, his own Nylon
Recordings — proving that quantity and quality can both bunk in the same house. To
date Jaymz has released three full albums, over a dozen remixes, and an even longer
list of singles. And, still going strong; as the newest member of MotionFm’s five-star
cadre, Jaymz’ “Adult Selections” podcast will be sure to leave no rock unturned.

………………………………………………………………………………………………………………………………
*For iTunes Users Song Links have been included when avail. and Click here to subscribe to the Adult Selection iTunes Podcast.

DJ Jaymz Nylon – Adult Selections #103

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Atjazz – Jullian Gomes – Bucie – Out of My Life
Corrado Bucci – Open Your Eyes (Andrés Remix)
Alison Crockett – Crossroads (DJ Spinna Remix)
Myles Bigelow – Music Is All We Need (Original)
Blaze – Wishing You Were Here (Joey Negro Extended Mix)
Tylo Parker – Black Liberation (Main Mix)
Xerophytic Soul – Music Unicorn
Tender Games – Lost (Chopstick & Johnjon Remix)
Adam Port – Stereo MC’s – Place
Crackazat – Somewhere Else
DJ Spen – Nobody
Filsonik – Jules – Ode
DJ Fudge – Mechouga (Original Mix)

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Play

RHA MA750i Noise Isolating Premium In-Ear Headphone Featuring Handmade Drivers…

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*After this initial post I tested RHA MA750i In-Ear Headphones in a late night studio session to finish a remix. After listening to the final mix down through studio monitors I only made one slight adjustment to the vocal. I am extremely pleased with final mix down and pleasantly surprised by the performance and accuracy of the RHA MA750i In-Ear Headphones.  Jaymz Nylon

We love these mid-priced in-ear headphones by the British sound geniuses RHA. The 750i’s are perfect addition to our portable devices when listening to finished tracks, demos, dj sets or phone calls etc… *It’s also advise that the need to be broken in…

RHA MA750i Noise Isolating Premium In-Ear Headphone with Remote and Microphone – 3 Year Warranty

 

 

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Handmade dynamic driver (model 560.1).

The handmade dynamic drivers used in the MA750i (model 560.1) have been designed to deliver a clear and natural sound. Featuring high quality components, the drivers are capable of reproducing audio with exceptional power and precision.

MA750i

Noise isolating, premium, in-ear headphone with remote and microphone

Using RHA’s Aerophonic design, the MA750i is constructed from individually machined stainless steel components. The handmade driver and over-ear fit ensure remarkable sound reproduction and a comfortable, noise isolating fit.

Handmade dynamic driver (model 560.1).

The handmade dynamic drivers used in the MA750i (model 560.1) have been designed to deliver a clear and natural sound. Featuring high quality components, the drivers are capable of reproducing audio with exceptional power and precision.

MA750i

Noise isolating, premium, in-ear headphone with remote and microphone

Using RHA’s Aerophonic design, the MA750i is constructed from individually machined stainless steel components. The handmade driver and over-ear fit ensure remarkable sound reproduction and a comfortable, noise isolating fit.

23535509-ccb2-43d8-8b09-0cb487b68953.png._V335536603__SR220,220_.pngStainless steel

Each MA750i driver housing is formed in the RHA Aerophonic shape from machined, high density, 303F stainless steel for outstanding durability and sonic performance.0df5da09-5945-4adc-a33b-6a0f73a81bd5.png._V335518752__SR220,220_.png

Made for iPhone

A three-button remote and microphone is included on the MA750i cable to offer complete control over calls, music and volume with compatible Apple devices. Some remote and mic functions may be supported by Android and other smartphone devices, dependent on model, generation, applications and software versions.

3114ea19-490f-49dc-ba67-b429dd6333ef.png._V335517961__SR220,220_.png

Aerophonic

RHA’s unique Aerophonic design is engineered to efficiently channel sound from the high performance dynamic drivers into the ear. The shape is inspired by the airflow properties of a trumpet’s bell, allowing MA Series products to deliver full frequency, authentic sound reproduction.

e2e0acdd-5f52-461f-b988-1f978c12e8a5.png._V335201058__SR220,220_.png

isolation

Included with the MA750i are six sets of RHA’s dual density ear tips for a comfortable, noise isolating fit. The ear tips feature a softer outer layer for comfort and blocking against exterior noise and a firmer core to ensure a tight seal. Also included are two sets of double flange and two sets of memory foam tips.

 

7f14baa1-9808-48ef-87f1-cd5c046e5a36.png._V335439340__SR220,220_.png

 

Over-ear fit

The MA750i feature over-ear cable supports designed to position the cable over and behind the ear. The cable supports offer a more comfortable, secure fit and help deliver effective noise isolation.

b48a74e6-d752-45a2-b437-7f079fdf947e.png._V335232227__SR220,220_.png

Reinforced cable

The 1.35 meter cable used for the MA750i is inspired by high end audio cables, featuring oxygen-free copper cores in addition to stainless steel reinforcements throughout.

cfed17f6-8f65-4637-9a16-8b293bf1eb65._V335104678__SR220,220_

3 year warranty

The MA750i has been designed and engineered to deliver the highest standard of build and audio quality, which is why it is covered by a comprehensive three year manufacturer’s warranty.

1a774bf7-a6d9-4357-b277-fdfd9ff277b4.png._V335364801__SR220,220_.png

Box contains

MA750i in-ear headphone. 6 pairs, dual density ear tips (S / M / L). 2 pairs, double flange ear tips (S / L). 2 pairs memory foam ear tips (universal size). Stainless steel ear tip holder. Premium storage case. Clothing clip. User guide.

Unfinished Oak Record Shelf System With Birch Inlay

Screen Shot 2015-02-03 at 11.56.42 PM
Unfinished Oak Record Shelf System With Birch Inlay
Detailed Description
One Unfinished Oak Record Shelf unit with a fitted 1/4″ Baltic birch plywood inlay. The unfinished inlay is a ready-to-use, solid bottom plate that can be easily added to any of our Oak and Ambrosian Maple record shelf units. This add-on makes our shelving incredibly versatile, accommodating both smaller-than-LP-size vinyl and opening the door to a myriad of other functional storage possibilities. And if you frequently add, remove, and/or reorganize your records, inlays help protect album corners from snagging if accidentally dragged across the bare shelf frame.

Design Overview:

Virtually every record collector tussles with the quandary of how to store their ever-growing collection of cherished LPs. As avid collectors ourselves, we are sadly aware of the limitations of available vinyl storage options. Cardboard LP storage boxes are unsightly, cumbersome, and stack poorly. Ditto for milk crates and the slew of other on-the-cheap storage methods. Designed initially to house our own record collections, our Shelf Systems incorporate several key features:

• Durable Construction. Hand-crafted by the same Amish family that makes our rock-solid SAMSON racks, the handsome Mapleshade Record Shelf System uses first rate solid ¾” oak. Crist and Uri meticulously hand-assemble the components using no staples, cardboard, plastic, or MDF. Our Record Shelf System offers exceptional material and handcrafted quality.

• Ease of Use. Assembly is simple, requiring only a screwdriver. Stored LPs have all their spines clearly visible. That obscure European pressing of your favorite artist is always right at your fingertips. No unstacking and restacking of boxes, no sifting from crate to crate. Your complete collection is readily accessible and easy to keep organized so you can focus on listening to great music.

• Expandability. Each shelf holds 150 LPs. Add extra units as needed. Our interlocking shelves are so sturdy and rigid that they can be stacked 6 units high. This allows you to store up to 900 LPs in little more than 2 1/2 square feet of precious floor space. Our Record Shelf System is designed to expand as your collection grows.

• Furniture Grade Quality. Either finished or unfinished, our Record Shelf Systems exude quality and are far more attractive than any mass-produced, semi-disposable Swedish furniture you’ll find.

• For The Elegant Listening Room. We offer our Eleganza series for rooms where it is important that the record storage integrates handsomely into an elegant décor. We offer both Finished Oak and Ambrosian Maple, with handsomely contrasting flush bottom plates and an inset top – allowing you to utilize the top for display or extra storage. To add further elegance, we offer a matching base to raise the bottom shelf off the floor. A rolling caster base is another option.

Specifications:

• minimal assembly required

• each shelf holds 150 LPs
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• interlocking construction allows stacking up to six shelves high

• internal dimensions: 24″ wide x 13″ deep x 13″ tall

• external dimensions: 27″ wide x 13-3/4″ deep x 14-1/2″ tall

• includes 24″ wide x 13″ deep x 1/4″ thick unfinished Baltic birch plywood inlay

• weight: 15.5 lbs each

REVIEW by The Absolute Sound, August 2014

It wasn’t too long ago that I figured my vinyl-buying days were over. By high-end standards my collection was a modest one, maybe 1500 or so LPs. But they were choice—carefully culled over the years, only the best discs had survived. These were stored on classic Per Madsen stackable oak record racks accumulated back in the 1980s. By the turn of the millennium my collection was neither growing nor shrinking, and Per Madsen was no longer building record racks.

However, with the premium vinyl resurgence of the last few years my collection has begun increasing once again. I’ve been playing more records than ever. And as in my long-ago college days, I’ve got batches of records sitting on the floor once more. Long story short, I never thought I’d be in the market for another LP rack system.

But riding to the rescue was Mapleshade. A stalwart of the high end, Mapleshade’s beginnings can be traced to the purist recordings of engineer Pierre Sprey, who built the Mapleshade Studio in 1986 and launched the Mapleshade label in 1990. Achieving renown for their indie audiophile recordings, Mr. Sprey and his partners also researched and developed what has turned into a full-blown catalog (68 pages and counting) and a grab bag of tweaks, cable, racks, and mods.

The racks are constructed of 3/4″ finished or unfinished oak or finished Ambrosia maple, and are still hand-crafted by the same Amish family that also builds Mapleshade’s massive Samson racks. They are beautifully sawn with clean edges and immaculate corners. Even in the unfinished oak that I opted for, the smooth grain was like silk to the touch. The racks are stackable and stable up to four units high. At 27″, they are wider and heavier than the Per Madsen 18″ standard, and the planks are cut thicker—all the better to support the latest crop of 200-gram reissues.

Admittedly I’m no Thomas Chippendale, so the prospect of assembling anything with more than two or three parts was a little unnerving. However these Mapleshades were a snap. The materials arrived so carefully packaged that the planks and end pieces hadn’t shifted an inch within the box. Each rack is made up of two square vertical end pieces, a pair of right-angle planks, and two flat planks, all connected by eight wood screws and four tiny wood plugs. (Pre-tapped holes are aligned and neatly sunk into each rack to accept the wood plugs for righteously secure stackability.) No glue is required anywhere.

It took a mere fifteen minutes to assemble a Mapleshade rack, gather up a few dozen homeless LPs, and slide them securely into place. Aligning the edges of each jacket just as I always have, I stood back and surveyed my efforts and felt a wave of nostalgia. I recollected a time when I nearly gave up my records for a new “improved” format. But now, years later, I’m far more skeptical of such claims. As vinyl continues to be issued and reissued, LPs have never seemed more alive and relevant. Thanks to Mapleshade finding a place to store them will never be a problem again. —Neil Gader