Zulu’s At Work “Knight & Day” – New Release


Zulus At Work come correct with a new single entitled Knight & Day featuring a remix from DJ Jus-Ed. Forever keeping their tight-knit roster of producers on the Nylon Trax font pages, this brand new release touts appearances from the usual suspects (Mac&Peel and label head Jaymz Nylon performing vocals on his remix) in addition to legendary deep house icon Jus-Ed who makes a much awaited reappearance on the Seattle-based imprint.

Knight & Day is a steady plodding production with verdant, summery strings and a crooning, but powerful, repetitive, female vocal. Like all of the remixes in this standout package the original carries on for seven plus minutes managing to maintain unwavering energy throughout its duration. With remixes coming in a variety of flavors from taught to meandering, this five star release will no doubt service a wide array of desires.

Later on, he included brownish an eye on the people around you and driving assertively but cipla sildenafil not aggressively. Chocolate find out description cialis pfizer achat is thought to contain chemicals that effect neurotransmitters in the brain. Directions to use The directions order viagra are always guided well by the physician to the victim but in case you are in some kind of sports, the sort of therapeutic program can genuinely help in enhancing your overall physiological strength and wellbeing. Take the help of the above mentioned capsules to overcome the http://appalachianmagazine.com/2014/10/08/breaking-confirmed-tornado-touched-down-in-west-virginia/ cheap viagra online problem for ever. Written and Produced by: Zulu’s At Work
Mastered by James Thomas in the Nylon Studio
Published by Man Made Nylon Music / BMG Chrysalis
Executive producer: Jaymz Nylon
(p) & (c) 2014 Nylon Recordings

New Release!!! Men From Nobu “The Best Of US EP” – Nylon Trax

Men From Nobu “The Best Of US EP” – Nylon Trax
Click Here to Purchase

Distilling their sound in venues from Paris and Berlin to New York, the newest addition to Nylon Trax’ back catalogue comes from three man group Men from Nobu… from France. The group’s first release on Nylon Trax, entitled ‘Best Of Us,’ is an eccentric, electro-house affair comprised of three original productions studded with African-inspired elements, and remixes from a cast of hometown heroes.

Taught disco strings imbue tingly feel-good sentiments in the title track anchored by a 4×4 plod of broken keys and stripped bass lines. Similarly to the title track, ‘Step Up’ and ‘We Have A Dream’ both deliver stout, healthy portions of mouth watering analog machinery, live drums, and rustic afro-centric vocals. A palette that is anything but staid one could expect to hear such sounds bellowing out of secret, innocuous venues lesser known to the common club-goer.
Be sure and check out remixes from Ze!, label head Jaymz Nylon, Marques Lafelt, Futurewife, Adam Warped and Aswell.

Written and Produced by: Men From Nobu (Jean Dovy, Roy Rhythm Marouvin and Vartan Fau)
Mastered by James Thomas in the Nylon Studio
Published by Man Made Nylon Music / BMG Chrysalis
Executive producer: Jaymz Nylon
(p) & (c) 2014 Nylon Recordings

Loving Support From:

Kai Alce “Men From Nobu – The Best Of Us (Jaymz Nylon Remix)
The Best Of Us (Jaymz Nylon Mix) Step Up (Us Aswell) We Have A Dream (Marques Lafelt Remix) are my favs here. Great Package” 8/10

Mike Clark “Men From Nobu – We Have A Dream (Live In Studio Version)
Im feelin these grooves alot! thanx” 10/10

Nick Holder “Men From Nobu – The Best Of Us (Jaymz Nylon Remix)
Im digging this!” 8/10

Robert Owens “Great Tracks!” 8/10

Dj Nova (Rodon FM/Kapa Music) “Men From Nobu – The Best Of Us (Jaymz Nylon Remix)
Men From Nobu Original and Remixes are another surprise by the eclectic and favorite label from the States.” 10/10

Joey Silvero/Distant People “Men From Nobu – We Have A Dream (Live In Studio Version)
lush chords create a warm summer evening vibe, really caught my ears this did, love the mood to this.” 9/10

Michael Terzian “Men From Nobu – The Best Of Us (Jaymz Nylon Remix)
Nice moody package from the good people at Nylon Trax. Esoteric underground!
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Al Bradley/3am/Paper/irecords “Men From Nobu – We Have A Dream (Live In Studio Version)
Some absolute belters on here; We Have A Dream, Jaymz remix of The Best Of Us, Adam Warped remix of We Have A Dream – all superb 🙂 Great release!”

Bart Ricardo 9/10

Fabio Genito “Dope” 8/10

Antonio Caballero “Men From Nobu – Step Up (Ze! Remix)
Ze! Remix & Jaymz Nylon Remix both stand out for me. thanks” 8/10

Steve ‘Butch’ Jones “Men From Nobu – The Best Of Us (Live In Studio Version)
downloading forSomethingGlobal:)” 8/10

Miguel Graca “Men From Nobu – The Best Of Us (Live In Studio Version)
solid release, will play on my show”

Leandro P. “Men From Nobu – The Best Of Us (Jaymz Nylon Remix)
Best mix Bro !!! All remixes are beautiful too… All my support for this package ! Nylon Trax 🙂 Loved”

Oliver Kapp “Men From Nobu – We Have A Dream (Futurewife Remix)
wow….. very nice…. to many good versions to pick a fav. thanks!” 8/10

Adam Collins “Men From Nobu – We Have A Dream (Futurewife Remix)
great drums” 8/10

Black Mighty Wax aka Cesare Cera “Men From Nobu – Step Up (Live In Studio Version)
Wow!! lot of great soundz and grooves here. I love it and I’ll play most of the tracks on my radio shows and dj-sets. Peace” 9/10

Andrew Duke “Men From Nobu – The Best Of Us (Jaymz Nylon Remix)
I’m a big fan of Nylon Trax and everything Jaymz Nylon is involved with. This is a great selection of material. Will play.” 10/10

Deli G. “Men From Nobu – The Best Of Us (Live In Studio Version)
A Very Nice Selection Releases To Work With On The Radio Show And In The Club” 8/10

Nigel One “Men From Nobu – Step Up (Live In Studio Version)
Sheesk! What a dope release from my Nylon family. Really hard to decide which mix I liked best and I will def be spinning several of them. Step Up Live In The Studio Version is really good and has that feel good sound that got me into house music. I will def be giving a few of the other mixes some spins too especially the Marques Lafelt and Aswell mixes of We Have A Dream.” 10/10

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Official Nylon Trax Release of Juan De Dios “Dark & Light EP”

Print

[soundcloud url=”https://api.soundcloud.com/tracks/123914700″ params=”color=ff6600&auto_play=false&show_artwork=true” width=”100%” height=”166″ iframe=”true” /]

Purchase Links:
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Making his second appearance on Nylon Trax’, ‘The Dark & Light EP’ sees Argentinian native Juan De Dios’ piecing together spacious drum tracks with a modern indigenous twist. Exemplifying a refined understanding of what does and does not work, Juan De Dios carefully maps out complex textures with little difficulty. Mixing precision and artistry ‘The Dark & Light EP’ balances form and function as much as it does pleasure. Pulling from a colorful catalogue of sounds and sonic shapes, alien synths, and prickly tribal accoutrements connect the dots between deep and dub across all four tracks — a sound essential to the esoteric and ethnic-inspired landscapes Nylon Trax has come to be synonymous with. I also love the way this release sounds as if it was recorded on analog tape, warm and crisp with the subtle tape hiss…

If far-off house rhythms and shadowy instrumentals are your thing, be sure to keep an eye out for the ‘‘The Dark & Light EP’, coming soon to a store near you… The deepness awaits.

Esteemed Feedback:

Dave Pezzner  –  Juan De Dios – Missing You (Always On My Mind Mix) I’m having a hard time deciding which track to pick as a favorite. They are all equally brilliant in their own way.

DJ JUS-ED  –  Juan De Dios – Missing You (Always On My Mind Mix) missing you is my shit!!! dope!!! txs!

Garth Trinidad –  Juan De Dios – Late Night (Original Mix) deep, lush and atmospheric grooves.

Miguel Graca – Juan De Dios – Late Night (Original Mix) Cool release, will play on my show.

Mike Clark –  Juan De Dios – Late Night (Original Mix) Nice dark dubby pieces…

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Louise Hughes – Juan De Dios – Missing You (Always On My Mind Mix) Some nice deep house here with a good techy twist.

Andrew Duke – Juan De Dios – Dark & Light (Original Mix) Enjoying all 4 tracks. These will definitely get some play from me.

DJ Manos – Juan De Dios – Missing You (Always On My Mind Mix) Deep and hypnotic grooves.

Michael Terzian –  Juan De Dios – Blue Rabbit (Original Mix) That ‘Blue Rabbit’ joint has got me feenin’ Solid!

Black Might Wax aka Cesare Cera – Juan De Dios – Blue Rabbit (Original Mix) nice and warm deep house.

Q-Burns Abstract Message  –  Juan De Dios – Late Night (Original Mix) I dig “Late Night” quite a bit of nice stuff. Thanks!

Craig Stewart  – Juan De Dios – Blue Rabbit (Original Mix) Very cool after hours material.

Yogi (Solid Garage Toronto) – Juan De Dios – Dark & Light (Original Mix) Love this track!!!

Deepinradio.com –  Juan De Dios – Blue Rabbit (Original Mix) Just beautiful music as always. All the best.

DJ Nova  –  Juan De Dios – Missing You (Always On My Mind Mix) The Argentinian maestro already impressed before with his exceptional collaboration with Stephen Kells and their long player in Nylon Trax back in 2011. “Dark & Light” can be easily be my release of the month. The breathtaking Amazonian chant of the same title track reminds me some really enchanting early deep house release, the nature, the civilization, the rhythm, the technology are here together. The emotive “Missing You (Always On My Mind Mix)” conquers the higher state of my mind’s sense of house. Classic and classy deep bouncy late night work with magnificent vocal samplers. Slowed down tempo groove and less floor friendly “Late Night” is searching for the right music lover like the night creatures for the prey. Blue Rabbit is walking on ambient paths, still on planet Earth but on a metaphysical level. Another one release for the contemporary museum of dance music.

Balo –  Juan De Dios – Dark & Light (Original Mix) DIGGING ‘DARK & LIGHT’ (ORIGINAL MIX) AND ‘MISSING YOU’ (ALWAYS ON MY MIND MIX)!!!

Eman  –  Juan De Dios – Missing You (Always On My Mind Mix) MISSING YOU FOR ME….

Nigel One  –  Juan De Dios – Missing You (Always On My Mind Mix) This is the kind of house music I seek out. Such a beautiful use of mood, space and texture. Missing you has that essential deep and moody sound that I’m always looking to bring to the dance floor especially this time of year. Full support on this awesome EP from Nylon Trax!

 

Official Nylon Trax Release of Leandro P. Feat. Anthony Poteat “Take Control”

Take-Control-Cover-Art
[soundcloud url=”https://api.soundcloud.com/tracks/119722644″ params=”color=ff6600&auto_play=false&show_artwork=true” width=”100%” height=”166″ iframe=”true” /]
Purchase Links:
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beatport
junodownload
traxsource
iTunes

Esteemed Feedback:

Pezzner “Leandro P. featuring Anthony Poteat – Take Control (Tayo Wink Massive Rythms Mix)
Tayo Wink mix is WTF! Love it.”

Benoit “some cool tracks”

DJ Jeannie Hopper “ Take Control (Old Man Yellow Remix)
lovely lush, get lost on the dancefloor, hit.”

Craig Stewart “Take Control (Borough of Kings Remix)
Main & BOK mixes for me, super smooth”

Mike Clark “Take Control (Old Man Yellow Remix)
Good soulful vocal”

Adam Warped “Take Control (Old Man Yellow Remix)
Wow so many dope mixes, it’s hard to choose just one.”

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smooth and easy on the ears, nice Skippy drums working nicely”

Eman “Take Control (Mac & Peel Remix)
Mac & Peel rmx is my fav…”

DJ Tabu “Take Control (Borough of Kings Remix)
loving all the remixes. Definitely going to be in the 808 mix : )”

Edground aka Groooveland “Take Control (Main Vocal Mix)
Very nice release.”

DJ Nova ”Take Control (Instrumental Mix)
Love it, the Original, futuristic soul, under the umbrella of deep house ofcource. All the remixes are really tasty, excellent, especially Borough of Kings one, but I like more the slowed down tempo ones, deep Afro touch of Nigel One’s Remix and spacey Mac & Peel ones. Most attractive and best cut is the delicious Instrumental Mix, so sweet late night track.

Deli G. “Take Control (Instrumental Mix)
Really Love The Music Production On This Release”

Kevin McCray aka Lithium NYC “Take Control (Nigel One Remix)
Nice and deep!”

Barry King “Take Control (Borough of Kings Remix)
Feeling the Kings & Tayo remix…nice 1”

Steve “Butch” Jones “Take Control (Borough of Kings Remix)”

Brazilian mainstay Leandro P. delivers a feel good tune, perfect for the end of the summer, entitled Take Control. Bolstered by a soaring vocal featuring singer Anthony Poteat, Take Control mixes elements of soulful deep house with caramel colored synths – perfectly earthen, yet subtly futuristic. Appearing alongside the original are remixes from Borough of Kings (aka Jaymz Nylon and Still Phil), Old Man Yellow, Tayo Wink, Mac(Future Wife) & Peel, and Nigel One – an all star cast of artists not unfamiliar with Nylon Trax signature, multicultural sound. From soft and sinuous house lullabies, to prickly tech house, Leandro P.s Take Control EP will be sure to bring more than a little light into your day… Written and Produced by: Leandro Pereira Co-Written & Vocals: Anthony Poteat Mastered by James Thomas in the Nylon Studio Published by Man Made Nylon Music / BMG Chrysalis Executive producer: Jaymz Nylon (p) & (c) 2013 Nylon Recordings / Nylon Trax

Play

Fidelia – High Definition Audio for Your Digital Library…

 

header

Lately I have had feeling that my digital music library and home listening experience needed something but was not sure what until I came across “Fidelia”.   Jaymz Nylon
Premium Music Player

Fidelia is a high-definition audio player for sophisticated music lovers. With support for all contemporary audio file formats and an elegant interface that focuses exclusively on music, it gives users the power and the freedom to organize, customize and savor their digital music collection at the highest possible fidelity in any circumstance. If you’ve invested in premium audio hardware, you should have the best audio software.

Just as an HD television enables viewers to enjoy high-definition video, Fidelia provides a gateway to high-definition audio by supporting a wide range of high-quality formats – including FLAC, which iTunes does not support. As artists in every genre increasingly turn to high-quality formats, Fidelia gives discerning listeners a way to hear their music as it was meant to be heard.

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Heavily compressed audio files aren’t for everybody. That’s why Fidelia gives discriminating listeners robust control over how their songs are captured and stored. Tracks can be imported in AIFF, WAV, CAF, AAC, Apple Lossless, Ogg Vorbis or FLAC formats. You can also convert existing files to any of the above.

When Technology is Used for Evil Doings – The Future of DJing: Outsourced to Robotic Intelligence?

future-of-djing-future-dance-floor

This would be pure evil! Is the Tea Party behind this? Jaymz Nylon

via: DJ Techtools

Imagine this scenario: You walk into a club, swiping your phone at the door to check-in and update the promoters on your listening tastes. After a few drinks – an amazing new song comes on and the crowd rushes to the floor – sensors pick up the shift in energy and a similar track is seamlessly mixed in. Somehow, seemingly improbably – many of your favorite tracks keep dropping, each one better than the last – blended together perfectly in time with the lighting and visuals. The amazing part? There was not a DJ in sight.

Everything that happened on my future dance floor was thanks to highly intelligent sensors, automated mixing technology, and smart social integration. None of this is terribly far-fetched, and many of the requirements are already in the market. The only thing holding us back from Mix Master Cloud is a company that brings them together in a cohesive way. My prediction? If this happens successfully, your average local club may never hire a regular DJ again.

Now, before you head straight to the comments and give us a piece of your mind, let me go into a little more detail about each area of technology and what would be required:

checking-in-with-phone

1) Check-Ins At The Door – Tracking Personal Tastes checking-in-with-phone

As more payment systems go mobile, giving you all the access of a bank account from a tap of your phone, paying for your drinks without talking to the bartender or getting privileged access to the VIP room doors is becoming a reality. Mobile payments are already here in the form of Near Field Communications (NFC) cell phone detection – and will start to become more prominent as major mobile phone payment company ISIS (backed by AT&T, T-Mobile, and Verizion) is launching across the US in late 2013.

In a similar vein, Square Wallet is a great example of proximity detecting and personal payments. If you presently walk into a Square enabled shop and have their app installed, making a payment is nearly instantaneous and requires no plastic or paper of any kind.

Euclid is one interesting example that tracks any mobile device in a business and provides information (without requiring permission) about:

How often do people come back?
How long do they stay in one area?
Where are people congregating?

sensing-energy-in-club
2) Sensors That Know What’s Up In The Club – Learning Energy Changes sensing-energy-in-club

Facial recognition sensors are already here and in regular use. As costs come down and privacy concerns lessen – it’s plausible that business may be able to afford them. Combine “who is on the dance floor?” with “what do they like to listen to?” and you now have more info than any DJ ever did.

A company called Uniqul is already associating payment information with facial recognition – allowing a customer to nod to a camera and authorize a charge to your credit card. If paying-by-face becomes accepted, surely musical taste would be even easier to associate with their face than their savings accounts?

Smart software connected to in-room sensors could easily determine what songs are making the crowd go off and which ones are cooling it down. Many DJs barely look up from their computer screen while peforming, let alone objectively analyze what songs are working well on the floor, so a computer could easily come in ahead on this one.

One great example of using sensor technology to derive detailed information from a person are the new wave of iPhone sleep apps. These clever engineers have used your phone’s microphone to track breathing patterns amplified by the common mattress. This allows the app to determine and report on reasonable sleep cycles including REM state and wake times. It’s not that far fetched to imagine seeing similar motion sensors employed on the dance floor to track the “cohesion” to the playing song. This SHOJI Japanese concept gadget already tracks a room’s light levels, temperature, humidity, and even the movement of the people inside of it.

automix-dj-app

3) Auto-Mixing Technology – Understanding The Music automix-dj-app

This is one area where we need to see a lot of development, but the main problem here is focus, not know-how. DJ software today has relatively decent auto-mixing but we are still a long way off from replacing a real live DJ.

Why? The existing companies don’t exactly want to replace their core user base with great automation that is sold to a much smaller market. Supposing someone wanted to really nail automating DJing – how hard would it actually be?

The easy part:

Using analysis to determine the most “mixable” parts of songs
Setting more reliable beatgrids and BPMs
Knowing key clashes and good beat matches in advance
Understanding what songs “go better together”
The really hard part:

Mixing different tempos well
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Tracking dance floor energy levels to figure out when to get out of song quickly
Writing good algorithms that can accurately understand and respond to what is possibly one of the more chaotic and random behavioral sets on the planet: people’s taste.
Some powerful existing tech:

Pioneer, the established paradigm for in-club installs already built their advanced MIXTRAX automix technology into an iPhone application and a car receiver – why not just replace the DJ in the club next?
Pandora and Echonest both track “musical DNA”, massive metadata repositories with detailed characteristics of most songs.
4) Music Services For Clubs: Reliably Streaming The Right Songs

These already exist to some degree, and they deal with the licensing issues, but they would need to be re-calibrated to work with the auto mix software. With all of the major players now set on making music in the cloud a viable business model for artists and consumers, it’s safe to say that we will have a fully cloud-based music system that our hypothetical “Mix Master Cloud” will draw from.

For just $25 a month, businesses right now can install a box that plays off of Pandora’s massive musical cloud, and includes all of the proper licencing needed to play in a business setting.

a-djs-brain

THE BIG FACE-OFF

a-djs-brain

Ok, so technically it’s not too far-fetched, but what about the DJ? Doesn’t he/she provide something special, intangible and unique that a computer cannot?

DJ Advantages:

Understands the subtle nuances of what’s hot and what’s not; what should be played and when. These are a lot of complex concepts which would be really hard to program a computer with.
The human DJ can respond rapidly to changes in the environment and adapt quickly, while computers are much slower at learning.
Your local DJ is an artist and it would break my heart to see them replaced with a computer.
DJ Disadvantages:

DJs sometimes have their own agendas, while many club owners just want to make fans happy.
The average DJ, while paid too little and generally treated poorly, are very expensive compared to a premium streaming service.
Humans are unreliable. We get drunk, show up late and sometimes go home with the bartenders. If computers ever do this you should all be really scared.

computer-vs-brain

SMALL REALITY CHECK

Did you know that our brain still trumps any computer by a significant magnitude? The fact is that countless years of development has resulted in a information processing machine that is exceptional in its ability to make complex decisions. Here is how the latest super computers face up to our old grey matter:

It took the Fujitsu-built K about 40 minutes to complete a simulation of one second of neuronal network activity in real time, according to Japanese research institute RIKEN, which runs the machine.

The simulation harnessed the power of 82,944 processors on the K computer, which is now ranked fourth on the biannual international Top500 supercomputer standings (China’s Tianhe-2 is the fastest now).

Each synapse between excitatory neurons had 24 bytes of memory for greater accuracy. The simulation ran on open-source NEST software and had about 1 petabyte of main memory, which is roughly equal to the memory of 250,000 PCs”

the-human-dj-touch1

THE HUMAN TOUCH

Personally I don’t want to see it happen, but folks, we may need to wake up and smell the silicon. It’s not IF many DJs will be replaced by automation, but WHEN and by how much. The engineering of this technology will fare well, but the blue collar wax slinger of yore may just become another tale told around digital campfires, long into the future.

There may be one simple reason though why most dance floors will always have a “DJ”, even if they don’t need one. Modern commercial jets flying to modern commercial airports don’t actually need a pilot to successfully complete the journey – but would anyone actually get on a plane without a human pilot in the front? We may see a future where DJs are just paid popularity symbols that stand on stage and hype up the crowd with champagne blasts, and fist pumps. Wait a minute, what year are we in…..?

Finally, we can all agree that there is something magical when people interact with each other through music. These days it seems like music technology, not to mention VIP ropes and giant stages, have been creating more separation than connection. Perhaps there is some way in which we can leverage these advances to harness the best of both worlds. Computer learning could reveal deep information about our environment, while human control and insight provides the possibility for mistakes that make us – well human, and beautiful.

Out Now: Processing Vessel – House Passion EP : driving deep house from Nylon Trax

 

Nylon Trax
nylon trax presents
Processing Vessel
House Passion EP
cool, driving deep house + international remixers
House Passion EP
The prolific deep house label Nylon Trax has teamed up with Turkish-born, San Diego DJ / producerProcessing Vessel aka Murat Vural to deliver the aptly named House Passion EP. Nylon Trax head honcho Jaymz Nylon joins international crew members Salih Kilic (Turkey) and Tobsen Graale(Germany) in adding three unique but concordant remixes full of desirous accoutrements and plenty of warm tones and classic house conviction. “House Passion” kicks things off emphatically, introducing a simple but quintessential house kit. Reminiscent of the romantic house sentiments built up in the title track, “The Moment That Makes The Music” seamlessly carries on in a similar direction, supplementing an eclectic vocal for added effect. Jaymz Nylon flips the star of the show, “House Passion,” beautifully, anchoring his version with a slow, wooden-sounding drum track. Easily the most linear of the three, Salih Kilic’s adroit, big-room remix will absolutely be a pertinent piece of ammo to spice up any and all peak time scenarios. Last but not least, Tobsen Graale (Paper Jet Recordings, Tanzbar Musik) imbues “The Moment That Makes The Music” with a distinctly German touch, chock-full of dashing layered samples and fizzing, wiry synthesizer lines.

SoundCloud

Graeme Park – “I like the original ‘House Passion’ quite a bit.”

Abicah Soul – “‘House Passion’ … nice tune!”

Harold Heath (Lovestick / Lost My Dog) – “Yeah, I like this. ‘House Passion’ has got the bounce.”

Sumsuch (Colour and Pitch) – “‘House Passion’ is strong … I’m also feeling the Salih Kilic remix. So clean and crisp. Proper!”

Raymundo Rodriguez – “Good vibes.”

Al Bradley (3am Recordings) – “‘The Moment That Makes The Music’ and its remix are the picks for me. Great percussive house.”

Alexander East – “Nice!”

Booker T. (Kings of Soul) – “Wicked tunes!”

Deepshizzol – “That Tobean Graala mix is serious!”

DK Watts (Short Bus Kids) – “The Jamyz Nylon remix is ace. I always dig his stuff … quirky but always groovy.”

Jevne (Onethirty Recordings) – “Solid grooves and some warped sounds.”

Carlo Gambino (Midnight Social Recordings) – “The Tobsen Graale remix is the one for me … perfect warm up vibes.”

Jamie Topham (CDPool) – “Cool stuff once again from the consistent Nylon Trax guys. For me it’s a flip between the Salih Kilic rub of ‘House Passion’ and the original of ‘The Moment That Makes The Music.’”

Joey Silvero (Distant People) – “‘The Moment That Makes The Music’ has a dreamy and hazy vibe … it’s got a cool atmosphere.”

DJ Nova (Rodon FM, Greece) – “I’m lost in the magic of Jaymz Nylon’s ‘House Passion’ remix … a magnificent percussive classic house style track with his characteristic production style.”

Deli G (Future Sound Of House) – “This is one for the deep headz, without a doubt.”

Now Available From These Fine Digital Stores:

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You can listen to previews of tracks from Processing Vessel’s House Passion EP by clicking HERE.

Processing Vessel

Visit Nylon Trax on the Web:

https://nylonrecordings.com

Nylon Trax on Facebook:

www.facebook.com/nylontrax

Newsletter sent by 8DPromo :: http://www.8DPromo.com

 

 

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SAY WATT? LE CULTE DU SOUND SYSTEM L’EXPOSITION…

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via: La Gaîté
EXPOSURE ( SAY WATT? )
SAY WATT? THE CULT OF THE SOUND SYSTEM
THE EXHIBITION
From June 21 to August 25, 2013 / All public
Tags: art , street art , sculpture , urban culture , musicFriday, June 21 (14:00), Saturday, June 22 (14:00), Sunday, June 23 (14:00) Tuesday, June 25th (14:00), Wednesday, June 26th (14:00), Thursday, June 27 (14 : 00) Friday, June 28th (14:00), Saturday, June 29th (14:00), Sunday, June 30th (14:00), Tuesday, July 2 (14:00), Wednesday, July 3 (14:00), Thursday July 4 (14:00), Friday, July 5 (14:00), Saturday, July 6 (14:00), Sunday, July 7 (14:00) Tuesday, July 9th (14:00), Wednesday, July 10 (14: 00) Thursday, July 11th (14:00), Friday, July 12th (14:00), Saturday, July 13th (14:00), Sunday, July 14 (14:00) Tuesday, July 16th (14:00), Wednesday 17 July (14:00) Thursday, July 18th (14:00), Friday, July 19th (14:00), Saturday, July 20th (14:00), Sunday, July 21 (14:00) Tuesday, July 23 (14:00 ), Wednesday, July 24 (14:00) Thursday, July 25th (14:00), Friday, July 26th (14:00), Saturday, July 27th (14:00), Sunday, July 28 (14:00) Tuesday, July 30 (14:00), Wednesday, July 31 (14:00), Thursday, August 1 (14:00), Friday, August 2 (14:00), Saturday, August 3 (14:00), Sunday, Aug. 4 (14:00) , Tuesday, August 6 (14:00), Wednesday, August 7 (14:00), Thursday, August 8 (14:00) Friday, August 9th (14:00), Saturday, August 10 (14:00), Sunday, Aug. 11 ( 14:00), Tuesday, August 13 (14:00), Wednesday, August 14 (14:00), Thursday, August 15 (14:00), Friday, August 16 (14:00), Saturday, August 17 (14:00) Sunday, August 18 (14:00) Tuesday, August 20 (14:00), Wednesday, August 21 (14:00), Thursday, August 22 (14:00), Friday, August 23 (14:00), Saturday, August 24 (14 : 00), Sunday, August 25 (14:00)
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BOOK PRICE: € 7 / € 5/3 € / FREE FOR MEMBERS

© Pierre Mahieu
Via the wave Sound System, Say Watt guide the visitor to his Jamaican debut to his extrapolations in contemporary art, through his contributions to culture Do It Yourself.

The sound system, the portable sound system, mobile disco … The terms are different, the constant remains: the street who invented this musical expression. Rave party in Europe with protests from Kingston to Belem, from France to Colombia to Kenya, huge readers K7 rappers, the amplified sound of the sound systems is the common point of the last decades of music and popular gatherings.
And what began as a traveling disco in Jamaican ghettos in American cellars 50s revolutionized the way of listening to music. Radically different cultures have since adopted this cult object, appropriating through many hacks.
The sound system also has the distinction of having been, over the years and needs an artistic, religious and political speaker. For the first time an exhibition addresses a technological component at the root of all contemporary urban music and has contributed to the emergence of major musical movements. But not only by appropriating in the codes, many contemporary artists have come, over time, they also bring their vision of “sound system culture,” questioning the colonization of public space through sound.

The Jah Observer

Extract from the photo series “Last Dance in Notting”
(Credit: Patrick Gherdoussi)

STREET-WORLD OF SOUND SYSTEM

Where it raises its speakers, the sound system culture is still a phenomenon at the margin, poorly known, unknown, drawing its origins in a need for the street. This introduction to the exhibition is a visual approach not wolf, sound and “philosophical” of what this mysterious culture underground. Totem facade Sound Garden Tal Isaac Hadad in editing images by obsessive collectors of photos on Facebook, ambulation will discover seven illustrations photo appropriations of sound system in the world with a giant slide, d apprehend what is meant to distance the walls of Berlin club Berghain with Soundwalk Collective, but also to discover a bustling and unique visual communication through dancehall ultra-cult Jamaican Denzil “Sassa” Naar posters and flyers old rap pioneer Buddy Esquire school.
With: Denzil “Sassa” Naar (flyers), Buddy Esquire (posters), Tal Isaac Hadad (installation-sculpture Sound Garden), Soundwalk Coll ective (install sound ation), Alex Smailes (photos), Wilfrid Esteve (photos), Katie Callan (photos), Mirjam Wirz (photos), Vincent Rosenblatt (photos), Patrick Gherdoussi (photos)

From the series “Rub a Dub Style”
(Credit: Beth Lesser)

FROM ROOTS TO CULTURE

Say Watt? makes in this second step of the way to Jamaica supported a tribute to his knew rappers on local sound systems authentic icons of street culture, enhanced by photos of Beth Lesser, an adventurous Canadian who went document the bubbling scene in the slums of Kingston in the early 80s. At the same time, another artist does not know it yet, but it would be decades later cult of the illustrations, artful and hilarious, he at the time para dozens of albums, posters, books. His name? Limonious. Wilfred Limonious, died in 1999, but seeing emerge here as the first posthumous retrospective worthy of his prolific output.
With Beth Lesser (pictures rub-a-dub style) Limonious (pack of records and memorabilia), Lick It Back (Installation vintage sound system King Tubby’s Hometown Hi Fi).

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Photo montage series “The Boombox Project”, 2010
(Credit: Lyle Owerko)
RADIO RAHEEM

Named after the character in the Spike Lee film Do The Right Thing, which can not move without his giant radio station, the third sequence of exposure carries logically epic in the Bronx, figuratively and quite literally, since whom history has chosen as the first rapper, Kool Herc, is a … Jamaican immigrant in New York! On the menu, the cult around boomboxes so dear to Raheem, photographed with the respect of relics by Lyle Owerko, tribute to block-parties, the street parties that saw the birth of the hip hop movement, by sculptor JYB but what remains today of the first house of rap, at 1520 Sedgwick, by photographer John Short …
With Lyle Owerko (Photos – The Boombox Project), John Short (Photos Home of Hip-Hop) JYB (Sculptures – The Merry Go Round).

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Installation “Ikea Sound System” by David Renault, 2012
(photo credit: Mathieu Tremblin)
FOLK IT, DO IT YOURSELF

It was predictable: so cool, so shitty, so reprenable to his own account, the imaging dancehall and hip hop debut ended up doing around the world, inspired by nature, by the way, many proponents artists Do It Yourself, willing to pay a tribute to how folk art which has since become a culture of its own.
The bike amentities speaker Tchic Boom Boom made in Toulouse is a prime example. As are the sound system cardboard mown Mexican Dub Iration who, unable to afford the real equipment, reproduce trompe l’oeil to give the thrill of being at the Notting Hill Carnival, or Ikea sound David Renault system, whistleblower ready-to-eat – but decided to embellish!
With: The Toolkit (Installation – Tchic Boom Boom) Dub Iration (Installation – Iration Dub) David Renault (Installation – Ikea sound system).

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“Squeeeque” Installing Alexis O’Hara
(photo credit: design-photo.com)
EXPERIMENTS, EXPERIMENTS

Room for experimentation. Very direct, as in the small soundproof room where Watts is diffuse full amps, very fun, like the sonic igloo of the Canadian Alexis O’Hara, sometimes tinged with concern about or more political . As an airlock videos implementation vibrations of metal structures by Art Of Failure warn that sometimes the experience can get out of control, becoming a quasi-military weapon (sonic radar Mark Bain), or a means of coercion while short, as shown in the film Yeter Akyaz Volcler and Juliet, produced specially for Say Watt? around the book of the latter, The Sound As Weapon.
With: Mark Bain (Installation – Sonic Radar), Juliette Volcler and Yeter Akyaz (video / animation), Art Of Failure (Video Architecture resonant) Alexis O’Hara (Installation – Squeeeque).

6-gobelins

The Gobelins School of Image
CARTE BLANCHE TO GOBLIN, SCHOOL OF THE IMAGE

Animation, videos, photos, multimedia projects throughout the school year, in collaboration with the English label Scotch Bonnet Records, was given carte blanche to eight groups of students from the prestigious School of Visual Gobelins for create eight projects around the sound system culture. Their films will be screened at the Gaîté Lyrique in a special preview during the duration of Say Watt? and for a few selected concerts.
• Preview: Tuesday 2 July and 19.30 – free access to the auditorium
• continuously on the wall of the historic home on the second floor
• www.gobelins.fr