Nylon Recordings/Nylon Trax – Page 13 – Fabrication Of The Underground

February 4, 2015February 4, 2015

Unfinished Oak Record Shelf System With Birch Inlay

Unfinished Oak Record Shelf System With Birch Inlay
Detailed Description
One Unfinished Oak Record Shelf unit with a fitted 1/4″ Baltic birch plywood inlay. The unfinished inlay is a ready-to-use, solid bottom plate that can be easily added to any of our Oak and Ambrosian Maple record shelf units. This add-on makes our shelving incredibly versatile, accommodating both smaller-than-LP-size vinyl and opening the door to a myriad of other functional storage possibilities. And if you frequently add, remove, and/or reorganize your records, inlays help protect album corners from snagging if accidentally dragged across the bare shelf frame.

Design Overview:

Virtually every record collector tussles with the quandary of how to store their ever-growing collection of cherished LPs. As avid collectors ourselves, we are sadly aware of the limitations of available vinyl storage options. Cardboard LP storage boxes are unsightly, cumbersome, and stack poorly. Ditto for milk crates and the slew of other on-the-cheap storage methods. Designed initially to house our own record collections, our Shelf Systems incorporate several key features:

• Durable Construction. Hand-crafted by the same Amish family that makes our rock-solid SAMSON racks, the handsome Mapleshade Record Shelf System uses first rate solid ¾” oak. Crist and Uri meticulously hand-assemble the components using no staples, cardboard, plastic, or MDF. Our Record Shelf System offers exceptional material and handcrafted quality.

• Ease of Use. Assembly is simple, requiring only a screwdriver. Stored LPs have all their spines clearly visible. That obscure European pressing of your favorite artist is always right at your fingertips. No unstacking and restacking of boxes, no sifting from crate to crate. Your complete collection is readily accessible and easy to keep organized so you can focus on listening to great music.

• Expandability. Each shelf holds 150 LPs. Add extra units as needed. Our interlocking shelves are so sturdy and rigid that they can be stacked 6 units high. This allows you to store up to 900 LPs in little more than 2 1/2 square feet of precious floor space. Our Record Shelf System is designed to expand as your collection grows.

• Furniture Grade Quality. Either finished or unfinished, our Record Shelf Systems exude quality and are far more attractive than any mass-produced, semi-disposable Swedish furniture you’ll find.

• For The Elegant Listening Room. We offer our Eleganza series for rooms where it is important that the record storage integrates handsomely into an elegant décor. We offer both Finished Oak and Ambrosian Maple, with handsomely contrasting flush bottom plates and an inset top – allowing you to utilize the top for display or extra storage. To add further elegance, we offer a matching base to raise the bottom shelf off the floor. A rolling caster base is another option.

Specifications:

• minimal assembly required

• each shelf holds 150 LPs
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• interlocking construction allows stacking up to six shelves high

• internal dimensions: 24″ wide x 13″ deep x 13″ tall

• external dimensions: 27″ wide x 13-3/4″ deep x 14-1/2″ tall

• includes 24″ wide x 13″ deep x 1/4″ thick unfinished Baltic birch plywood inlay

• weight: 15.5 lbs each

REVIEW by The Absolute Sound, August 2014

It wasn’t too long ago that I figured my vinyl-buying days were over. By high-end standards my collection was a modest one, maybe 1500 or so LPs. But they were choice—carefully culled over the years, only the best discs had survived. These were stored on classic Per Madsen stackable oak record racks accumulated back in the 1980s. By the turn of the millennium my collection was neither growing nor shrinking, and Per Madsen was no longer building record racks.

However, with the premium vinyl resurgence of the last few years my collection has begun increasing once again. I’ve been playing more records than ever. And as in my long-ago college days, I’ve got batches of records sitting on the floor once more. Long story short, I never thought I’d be in the market for another LP rack system.

But riding to the rescue was Mapleshade. A stalwart of the high end, Mapleshade’s beginnings can be traced to the purist recordings of engineer Pierre Sprey, who built the Mapleshade Studio in 1986 and launched the Mapleshade label in 1990. Achieving renown for their indie audiophile recordings, Mr. Sprey and his partners also researched and developed what has turned into a full-blown catalog (68 pages and counting) and a grab bag of tweaks, cable, racks, and mods.

The racks are constructed of 3/4″ finished or unfinished oak or finished Ambrosia maple, and are still hand-crafted by the same Amish family that also builds Mapleshade’s massive Samson racks. They are beautifully sawn with clean edges and immaculate corners. Even in the unfinished oak that I opted for, the smooth grain was like silk to the touch. The racks are stackable and stable up to four units high. At 27″, they are wider and heavier than the Per Madsen 18″ standard, and the planks are cut thicker—all the better to support the latest crop of 200-gram reissues.

Admittedly I’m no Thomas Chippendale, so the prospect of assembling anything with more than two or three parts was a little unnerving. However these Mapleshades were a snap. The materials arrived so carefully packaged that the planks and end pieces hadn’t shifted an inch within the box. Each rack is made up of two square vertical end pieces, a pair of right-angle planks, and two flat planks, all connected by eight wood screws and four tiny wood plugs. (Pre-tapped holes are aligned and neatly sunk into each rack to accept the wood plugs for righteously secure stackability.) No glue is required anywhere.

It took a mere fifteen minutes to assemble a Mapleshade rack, gather up a few dozen homeless LPs, and slide them securely into place. Aligning the edges of each jacket just as I always have, I stood back and surveyed my efforts and felt a wave of nostalgia. I recollected a time when I nearly gave up my records for a new “improved” format. But now, years later, I’m far more skeptical of such claims. As vinyl continues to be issued and reissued, LPs have never seemed more alive and relevant. Thanks to Mapleshade finding a place to store them will never be a problem again. —Neil Gader

February 4, 2015

Neil Young Calls Vinyl Comeback a ‘Fashion Statement’ Amidst High-Quality Audio Quest

via: billboard
By Andrew Flanagan and Marc Schneider
As we’ve pointed out, there’s a lack of scientific consensus that even the most trained ears are capable of appreciating the kind of hi-res digital audio found on pricey players like Neil Young’s Pono. Young begs to differ, obviously, and has spent a considerable amount of time knocking lower-res formats. But what’s this… now he’s even taking some digs at vinyl?

‘High-Definition’ Music Explained: Can You Really Tell the Difference?

In an interview with the Frame radio show, Young calls the uptick in vinyl sales the product of a clever switcheroo by labels cashing in on the latest “fashion statement.”

“A lot of people that buy vinyl today don’t realize that they’re listening to CD masters on vinyl and that’s because the record companies have figured out that people want vinyl,” Young said. “And they’re only making CD masters in digital, so all the new products that come out on vinyl are actually CDs on vinyl, which is really nothing but a fashion statement.”

Vinyl is definitely in fashion. Sales of the format were actually one of the biggest bright spots in an otherwise bleak sales year in 2014. Sales of vinyl albums grew by 52 percent in 2014 to 9.2 million copies, up from 6.1 million in 2013. One can go back and forth on the merits and myths of vinyl until the sun sets, but there’s a point to be made that — fashion statement or no — getting consumers puchasing music, and enjoying it, is a net positive for everyone.
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Young has made much of his crusade against low-quality recordings, telling a packed room at SXSW last year: “When all the artists and engineers, all the arrangers and musicians that played on giant tracks by people like Phil Spector, with 12 tambourines and two pianos… all of [that] started to die — it was the most amazing thing, this vibrant creative culture started to go away. And it was because of the MP3 and the cheapening of the quality to the point where it was practically unrecognizable.”

Yahoo columnist David Pogue recently conducted a blind experiment pitting the Pono against an iPhone, with both playing the same songs, and found his test subjects actually preferred the phone. Young responded to Pogue’s test by citing his own.

Pono Rumored to Secure Hi-Def Beatles Catalog

“Of approximately 100 top-seed artists who compared Pono to low resolution MP3s, all of them heard and felt the Pono difference, rewarding to the human senses, and is what Pono thinks you deserve to hear,” he said.

“The issue isn’t about Pono versus any particular columnist, this is about high-resolution audio generally. Some will appreciate it, and if they can’t tell the difference, they shouldn’t buy it,” Phil Baker, vp of product development and operations at Pono, tells Billboard.

What Young fails to mention is that most people don’t listen to “low resolution MP3s” anymore — Apple’s iTunes files come in 16-bit/256Kbps AAC format. Pono songs go as high as 24 bit/192kHz.

December 10, 2014December 17, 2014

Nylon Trax Classic Sweatshirts

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November 29, 2014

MusicTech – The magazine App

MusicTech – The magazine for producers, engineers and recording musicians…

Musictech has always been a favorite source of mine over the years and yes I do still run out to the magazine shop on the odd occasion to pick up a paper copy but I a can honestly admit that I am truly loving the convenience of being able to download all issues to my iPad and iPhone 6 Plus.

MusicTech is the magazine for producers, engineers and recording musicians. Every issue is packed with hands-on features written by professional producers and engineers. There are software workshops for every major DAW, interviews with top named producers, artists and engineers, plus reviews of the latest studio hardware and software. With a DVD packed with samples, tutorial videos and software, MusicTech is the ultimate package for today’s studio user.

This is a free app download with paid content within. The current issue, back issues and future issues can be purchased within the app.

Subscriptions are also available within the application. When a recurring subscription is purchased the latest issue will become available to download immediately.

Available subscriptions are:

1 month: £2.49/ US$ 3.99 [1 issue]
6 months: £16.99/ US$ 23.99 [6 issues]
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-The subscription will renew automatically unless cancelled more than 24 hours before the end of the current period, you will be charged for renewal within 24 hours of the end of the current period, for the same duration and at the current subscription rate for the product.
-You may turn off the auto-renewal of subscriptions through your Account Settings, however you are not able to cancel the current subscription during its active period.
-Payment will charged to your iTunes account at confirmation of purchase and any unused portion of a free trial period, if offered, will be forfeited when a subscription to that publication is purchased

Bundles of single issues can be also be bought within the application. To use purchased credits, simply click on the issue price and select ‘use credit’. This allows you to purchase back issues at reduced prices.

Users can register for/ login to a pocketmags account in-app. This will protect their issues in the case of a lost device and allow browsing of purchases on multiple platforms. Existing pocketmags users can retrieve their purchases by logging into their account.

We recommend loading the app for the first time in a wi-fi area so that all issue data is retrieved.
If your app will not load past the splash page after a first install or an update please delete and reinstall the app from the App Store

November 13, 2014November 13, 2014

Pioneer – No More CDs

Pioneer XDJ-1000 $999 All-Digital Player Ditches The CDs
via: Dan White

Pioneer has sneakily debuted a brand new media player for DJs – the XDJ-1000 – that takes the CD out of the CDJ. Instead, it’s purely designed for Rekordbox, USB drive, and HID control purposes – finally bringing to the masses a relatively affordable solution for digital playback in a professional CDJ-style design.

TOUCH INSTEAD OF HARDWARE

The unit has the exact same form factor as the CDJ-2000 Nexus units – same dimensions and control layout – although keen-eyed CDJ users will note the lack of cuepoint buttons, touch strip for searching, etc.

Instead, the XDJ-1000 has a 7 inch touchscreen – which allows control for setting loops, beat sync, cuing, slip mode, and a new function, Beat Jump / Loop Move (a basic function that Traktor has held alone in the digital DJ world.

There’s also now a QWERTY-style keyboard for searching through your tracks- way easier than just rummaging around folders.

Also of interest is a new automatic import of player settings (things like Quantize and Master Tempo) from whatever you have them set at in Rekordbox – and a color-coding for playlists that actually corresponds to an LED that lights up around the USB stick plugged in.

FINALLY AFFORDABLE?

Pioneer’s website lists the suggested retail price as being $999 – which implies we might see even lower prices as the minimum advertised price. We’ve reached out to Pioneer to find out if this is an expected street price, but no answer yet.
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WHAT’S THE WEIGHT?

Anyone who’s ever moved a CDJ-2000 before knows that they’re around 10 pounds (4.7 kg) – pretty heavy for a piece of DJ equipment. Removing the CD drive (the only moving parts on the player) would seem to reduce the need for at least a few of those pounds. The XDJ-1000′s weight is down a bit to 7.27 pounds (3.3kg) – enough to still keep the unit stable when James Zabiela or DJ EZ inevitably get their frenetic mix sessions on these XDJs, but slightly more portable.

THE FIRST OF MANY?

Pioneer has a very interesting note on their video description:

“… the XDJ-1000: the first in a new line-up of digitally focused, USB-only, rekordbox™-ready players.”

This makes it pretty clear that Pioneer isn’t stopping here – and we’ll see other versions of this CD-free XDJ line in the coming months. Will we go up to a higher-featured XDJ-2000, or perhaps we’ll drop down into serious budget territory and make feature-slimmed XDJ-400s that are easy for any DJ to add too their setup?

SERATO AND REKORDBOX ONLY?

Something strange about the press release stuck out to us – a hint that perhaps Traktor HID mode might not be enabled when the product launches:

“USB-HID control possible with Serato Inc.’s “Serato DJ” software (More information will be published on the support site pioneerdj.com/support/ once available.)”

With Native Instruments very focused on selling their own screen-laden Kontrol S8, it wouldn’t be a surprise if there’s some feet-dragging on both sides to get Traktor HID integration.

Read more about the XDJ-1000 on Pioneer’s site here.

October 31, 2014

NT039 : STEFEK – Tell It To The Groove – Promo Preview

Representing France’s Deep House sound to the fullest STEFEK keeps his foot firmly on the funky 4/4 accompanied by hypnotic keys and a rhythmic 1990’s piano flavor.
“Tell It To The Groove” is another great release from Nylon Trax.

Jaymz Nylon’s Afrotech Remix and O.P.’s Lost In Keys Mix are both infectious, magnetic and warm. STEFEK “Tell It To The Groove” will surely become a club anthem throughout the world.

Executive Producer: Jaymz Nylon
Mastered by James Thomas in the Nylon Studio
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(p) & (c) 2014 Nylon Recordings

October 23, 2014

NT037 : Leandro P. Featuring Jaymz Nylon – Deep Space – Promo Preview

The Nylon Trax roster is likened to a true musical dynasty with the frequent collaborations among label mates.
Leandro P. and Jaymz Nylon launch your senses into the outer galaxies with “Deep Space” an exploration in audible bliss.

Leandro P.’s productions continue to stimulate listeners throughout the universe while Jaymz Nylon lends his often referred to buttery baritone to “Deep Space” along with an Afrotech Reshape of the cosmic original.

Exclusive Traxsource Pre-Release: 10/26/2014

Worldwide Release Date: 11/09/2014

Written and Produced by: Leandro P.
Co-Writte,Produced Vocals by: Jaymz Nylon
Mastered by James Thomas in the Nylon Studio
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Executive producer: Jaymz Nylon
(p) & (c) 2014 Nylon Recordings
Nylon Trax websites: www.nylonrecordings.com | www.nylontrax.com | www.facebook.com/nylontrax

[soundcloud url=”https://api.soundcloud.com/tracks/173446383″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

[soundcloud url=”https://api.soundcloud.com/tracks/173446519″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

[soundcloud url=”https://api.soundcloud.com/tracks/173446446″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

[soundcloud url=”https://api.soundcloud.com/tracks/173446658″ params=”color=ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false” width=”100%” height=”166″ iframe=”true” /]

October 19, 2014October 19, 2014

Worldwide Release 10/20/2014 – Leandro P. Feat. Braga Havaiana “A Minha Alcunha” on Nylon Trax

Nylon Trax artists are keeping it all in family with a collaboration between São Paulo/Brazil based Leandro P. and Nylon’s newest addition Angola/Lisbon-based Braga Havaiana. “A Minha Alcunha” is a collage of melodies lead by a warm and spacey Electric Rhodes Piano that sits well with the voice of a soulful passenger upon a landscape of lush percussion. “A Minha Alcunha” calls out to your adoring ears guiding the body into the dance.

<a href="http://nylontrax.bandcamp.com/album/a-minha-alcunha">A Minha Alcunha by Leandro P. Feat. Braga Havaiana</a>

Retailers:
traxsource, junodownload, beatport, iTunes, nylon trax shop etc…

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Written and Produced by: Leandro P. and Braga Havaiana
Vocals: Braga Havaiana
Mastered by James Thomas in the Nylon Studio Published by Man Made Nylon Music / BMG Chrysalis
Executive producer: Jaymz Nylon
(p) & (c) 2014 Nylon Recordings
Nylon Trax websites: www.nylonrecordings.com | www.nylontrax.com | www.facebook.com/nylontrax

October 15, 2014

JAYMZ NYLON – OCTOBER 2014 TOP 10

JAYMZ NYLON
OCTOBER 2014 TOP 10
New York native Jaymz Nylon is a name that’s been in the mix for more than a couple of years. Heralded as the godfather of Afro-tech, Jaymz’ reputation as a sought-after sound designer, producer, and remixer has continued to grow since his breakout release, “Ofunwa ‘It All Begins Here’,” thrust him into the global limelight in 1993. Spanning the greater part of the last two decades, Jaymz has built an impressive back catalogue of productions, not only diverse but wet with emotion. From Afro-Latin to deep house, to old school acid house, to broken beat to disco, Jaymz’ curatorial continuum knows no boundaries. In addition to traveling the world over Jaymz has touched down with labels like Tribal America, Nitegrooves, Irma, and of course, his own Nylon Recordings — proving that quantity and quality can both bunk in the same house. To date Jaymz has released three full albums, over a dozen remixes, and an even longer list of singles. And, still going strong; as the newest member of MotionFm’s ﬁve-star cadre, Jaymz’ “Adult Selections” podcast will be sure to leave no rock unturned.

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October 13, 2014October 13, 2014

Traktor Kontrol S8 – THE FUTURE OF DJING

THE FUTURE OF DJING

Experience a new way to mix and perform with TRAKTOR KONTROL S8 – a 4-channel stand-alone mixer, professional audio interface, and enhanced performance decks for ultimate control over the included TRAKTOR SCRATCH PRO software. Touch-sensitive controls and high-res displays deliver DJ workflow that is truly cutting-edge.

CONNECT WITH YOUR CROWD

Get physical with the music. Touch-sensitive knobs, faders, and LED-guided touch strips bring TRAKTOR software to life on vivid full-color displays, keeping you focused on performance – not on your laptop. The S8’s touch-and-see workflow means you connect with your music – and with your crowd.

HIGH-RESOLUTION DISPLAYS

Two high-res color displays put TRAKTOR software in plain sight. Browsing, track info, effect, and filter values come into view directly in front of you. Keep an eye on the running track’s ultra-crisp vector waveform. Or access Remix Decks in full view.

REMIX IN THE MOMENT

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Your style. Your sound. This is enhanced DJ performance.

BUILT FOR PERFORMANCE

Connect anything your setup needs – TRAKTOR KONTROL S8 boasts the most expansive connectivity on a DJ controller yet. The on-board 4-channel mixer features unique wear-resistant faders that offer unprecedented durability.
Plus, TRAKTOR Mode buttons on every mixer channel switch between TRAKTOR and stand-alone mode – ideal for handing the night over to the next DJ.

DESIGNED FOR TRAKTOR PRO SOFTWARE

TRAKTOR KONTROL S8 is built for seamless control of the included TRAKTOR SCRATCH PRO 2* – the choice DJ software of countless professionals worldwide. Get in-depth control of your music with up to four software decks, customizable interface, timecode media, and advanced track library management.