Legalize Dancing in NYC: Tell City Council and Mayoral Candidates to Repeal NYC’s 1926 Cabaret Law…

Did you know it’s illegal to dance in most bars, restaurants and even well established clubs in New York City? Or that, unless it’s a performance, dancing is not recognized as a form of expression protected under the First Amendment?
In 1926, while liquor was bootlegged and Jazz was shaking things up in Harlem, New York City instituted the Cabaret Law that required establishments serving food or drink to obtain a separate license before permitting any dancing or live music on their premises. This law successfully sought to police and restrict the interracial mixing happening in dance clubs uptown. Almost 100 years later, though times and racial attitudes have changed, the Cabaret Law is not only still in effect and enforced, but contemporary zoning regulations effectively make dancing with your friends absolutely illegal in large parts of the city!

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After an attempt to repeal the Cabaret Laws on First Amendment grounds failed in 2006, the only avenue toward meaningful change now is through legislative action and we need your support! Please help us repeal the 1926 Cabaret Law and remove the following 7 words from the Zoning Code: “or establishments of any capacity with dancing.” These reforms will have no effect on the applicability or enforcement of any of the numerous noise, fire, safety, alcohol and drug ordinances that keep our persons and venues safe and our neighborhoods livable. Help us free dancing by signing this petition and voting for candidates who support and advocate for it!

Sign the petition by clicking here.

Vintage Reel to Reel Tape RTS – iPhone Dock


If like me you long for the days of the reel to reel this should visually satisfy the part of the brain that has such cravings.

For the music lover, the tech geek, or the lover of awesome vintage “stuff”
These vintage 5 3/4″ Reel to Reel Tapes have been rescued and re-purposed as a working iPhone and iPod docking station.

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Just plug the included USB cable to your computer to charge and sync any iPhone (including the 4S) or iPod (excluding the Shuffle).

Be the envy of your office, recording studio, or neighborhood!

Slate Digital – Virtual Tape Machines Plugin…

Digital recording is now the standard for professional music production. But many engineers and musicians long for the days of analog recording, and for good reason. Analog Tape Machines have a SOUND. Big, fat, warm, deep, rich, and exciting are just some of the terms used to describe what recording onto a piece of magnetic tape sounds like. Most of all, tape is more musical.


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To capture the sound of tape is to capture a living, breathing sound that dynamically reacts to the music going on to it. Slate Digital Chief Technology Officer Fabrice Gabriel utilized his electrical engineering degree as a foundation for his comprehensive study of the physical processes that occur when recording to analog tape through a tape machine. What began with science led to Fabrice’s discovery of the seemingly magical properties of tape and inspired him to create his most advanced, dynamic algorithms yet. Two industry-standard machines were precisely modeled. What followed was a year of critical listening and algorithm tweaking, with some help from the expert ears of Slate Digital CEO, Steven Slate.


The result is the Virtual Tape Machines plugin. With models of both a 2 inch 16 track from NRG Recording, and a ½ inch 2 track machine from Howie Weinberg Mastering, the VTM will give your mixes an absolutely authentic analog vibe that will take your mixes to the next level. With added dimension, fatness, depth, and warmth, you’ll wonder how you ever mixed without it!

 

Tips for DIY (Do-It-Yourself) Mastering

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Spectrasonics’ Omnisphere – One of the Best Software Synths


After many years of development, Spectrasonics is proud to release the brand new flagship virtual instrument Omnisphere. This epic ‘Power Synth’ breaks completely new sonic ground by combining a wide variety of hybrid realtime synthesis techniques, an epic library of remarkable ‘Psychoacoustic’ sounds, and many innovative features that have never been seen before in any hardware or software synthesizer. The new instrument is the first to be based on Spectrasonics newly developed STEAM Engine. 

“This is truly an Epic project,” said Eric Persing, Founder and Creative Director of Spectrasonics. “We have been working for many, many years; sampling unique sounds, experimenting, specifying the synthesis features and building the STEAM Engine to run it all. It’s been a very exciting process involving our team of software engineers, sound designers, musicians, and graphic artists from all over the world. We’ve been very deliberate in making it easy to use, and yet extremely powerful. Omnisphere is our new flagship synthesizer, and points the way to all our future virtual instruments. We are thrilled to offer a new product that will have a host of expansion capabilities in the future.”
SYNTHESIS – COMPOSITION – PRODUCTION – PERFORMANCE
Although this new synth is extremely powerful, Omnisphere is designed with a unique user interface containing progressive layers of ‘zooming’ to accommodate the complete range of users – from musicians who just want to be inspired by the sounds and customize them in an easy way, to expert synthesists and the most advanced sound designers. Users can go deeper and deeper into the software and progress in their synthesis knowledge by simply exploring additional levels of sound manipulation options. To make sure that all users get the most out of the new capabilities, Omnisphere includes an extensive set of video tutorials and synthesis lessons taught by the renown Spectrasonics sound design team. 

Omnisphere offers a host of hybrid synthesis and new control capabilities including Variable Waveshaping DSP synthesis, Granular synthesis, Timbre Shifting, FM, polyphonic Ring Modulation, high-resolution streaming Sample Playback, Harmonia™, Dual Multimode Filter structure, Chaos Envelopes™, an advanced Unison mode, and the innovative Flex-Mod™ modulation routing system – to name a few. 

The huge core library of Omnisphere is filled with years of creative sampling experiments and thousands of inspiring patches. Spectrasonics has pioneered several brand-new types of sampling for the core library of this instrument, including unique “Psychoacoustic” sounds and soundsources created with a new Composite Morphing Technique (CMT) – which morphs the harmonic characteristics of one instrument to another. As a bonus, a section of the core library is also devoted to representing the best of Spectrasonics award-winning sample libraries. When all of these organic core library soundsources are combined with the synthesis power of the STEAM engine, the sounds become “alive” in a truly dynamic and expressive way. 


Among the many unique features this new multitimbral synth offers are its flexible arpeggiators with the innovative Groove Lock™ integration with Stylus RMX – allowing the arpeggiator’s pattern to instantly groove with the feel of the RMX drum loop; Live Mode for transitionless patch switching and layering, Stack Mode for powerful performance mapping; and integrated modulatable FX Racks. 

Omnisphere is also the successor to Spectrasonics’ popular Atmosphere® instrument, and contains enhanced versions of all the classic Atmosphere sounds. However, the brand new core library in Omnisphere is 10-times the size of Atmosphere and features thousands of completely new and different sounds. 

There is an upgrade for all Atmosphere customers, available from Spectrasonics Techshop. 

The culmination of many years of development, Omnisphere is an instrument of extraordinary power and versatility. Omnisphere brings many different types of synthesis together into one amazing-sounding instrument that will inspire a lifetime of exploration. 

Omnisphere is now shipping, and has an MSRP of $499 US and €379 Euro. 

Omnisphere is cross-platform compatible with Apple Macintosh OS X 10.5 and higher as a native Universal Binary and also with Microsoft Windows 7/Vista. Audio Units, VST, and RTAS plug-in formats are supported for compatibility with all major host software. 

SYSTEM REQUIREMENTS FOR ALL USERS
• 2.4 GHz or higher processor
• 2GB RAM minimum, 4GB or more recommended
• Dual Layer compatible DVD-ROM drive
• 50GB of free hard drive space
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• OSX 10.5 Leopard or higher
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• Audio Unit plugin requires host with support for “Cocoa” based plugins
• Native 64-bit and 32-bit on OSX
• 6GB of RAM or more if using the Sample File Server
Windows Users:
• VST 2.4 or higher, RTAS capable host software
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KRK 10s Overview…


KRK’s KRK10s powered subwoofer is the perfect complement to KRK Rokit, VXT, or any other 4″-8″ studio monitor. The KRK10s is designed to extend the low-frequency performance of an existing monitor system so that the low-frequency portion of the mix can be properly engineered. The KRK10s also feature a great looking cabinet that echoes the curved edges of the Rokit and VXT monitors. The front-firing bass port and KRK’s trademark yellow glass-aramid composite woofer ensure accurate and powerful low-end punch. A sturdy grill protects the woofer and adds to the sleek appearance of the unit. A high-power amplifier and active crossovers provide smooth and accurate reproduction.
A New Standard in Low Frequency Monitoring.
For years, KRK subwoofers have been the choice for accurate low frequency monitoring in studios large and small. Now, the KRK10s provides a new standard for even better performance and accuracy, raising the bar once again. Whether you are mixing in a 2.1 or 5.1 surround environment or just looking to upgrade the low-frequency extension of your existing monitors, the KRK10s will provide the low frequency detail and accuracy that will help you to create a better mix.
Don’t Be Square, Curves Ahead
Our new subwoofer series has radically curved surfaces for a great look and amazing performance. Finally there is a subwoofer that looks as cool as it sounds. You can even remove the grill to show off that beefy trademark yellow woofer.
Let’s Be Up Front
Take a look at competitive subwoofer monitors and you’ll find ports on the back of the cabinet. These rear-firing ports tend to create bass coupling with walls and corners over-amplifying low frequency information which in turn colors your mix. The superior design of the KRK10s includes front-firing ports which are just the right shape to reduce port turbulence. You’ll appreciate the clean and accurate bass performance this approach delivers, even at high SPLs.
Feel the Bass
You need to feel the bass and our proprietary signature yellow woofer delivers tight, clear low end response. Our engineers and listening panel took the KRK10s speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for a clear, low-distortion performance.
You’ve Got Connections
At KRK our focus is your mix. But it doesn’t stop at creating accurate monitors. We live this stuff and appreciate the need for monitors that not only sound great but work easily with your particular set up. That’s why you’ll find plenty of input options with your KRK10s, sure to accommodate any studio environment. So if it’s RCA, 1/4 inch (balanced/unbalanced) or XLR inputs you require, KRK10s has got you covered.
Take Control
With a sweepable 50Hz – 130Hz low pass filter, your KRK10s provides flexible control for any monitoring system. It’s true that we think your KRK10s sounds best using KRK full range monitors in a system configuration. However, the low pass filter provides great flexibility with any full-range monitor setup.
Use the Features Designed for the Pros
Professional engineers like the ability to hear how the sub is affecting the mix. Plug in any standard latching 1/4 inch footswitch to bypass the KRK10s and send full range audio to your top monitors. A ground lift feature helps tame pesky ground humm.
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Your KRK subwoofer is equipped with a bypass feature which allows you to defeat the sub and provide full range audio to your recording monitors. You will need to use a standard 1/4 inch, mono, latching footswitch. Any standard latching 1/4 inch mono footswitch (such as the Boss FS-5L) should be compatible.
KRK 10s Features

New curved design and custom color matches KRK Rokit and VXT monitors
Protective Steel front Grill provides protection
Power LED provides visual indication of unit’s status
Bypass footswitch allows for checking mixes with and without subwoofer
Integrated crossover matches any main speaker system
Ground lift switch tames ground loops
Radically Curved Front Baffle Design for Amazing Performance
Front-firing port provides low frequency extension without boundary coupling
User’s manual provides clear setup instructions
Scientifically designed front firing port reduces wall coupling and port turbulence
Powerful bass reinforcement with KRK’s trademark yellow-cone glass-aramid woofer

iZotope Nectar – Complete Vocal Suite


Nectar makes your vocal and dialog recording sound professional. With a complete set of 11 vocal production effects combined in a single plug-in, Nectar treats your voice to immediate results.
Features include real-time and offline pitch correction with a manual note editor, breath control, gate, compression, saturation, EQ, de-esser, doubler, limiter, reverb, delay and tons of iZotope’s award-winning Style presets.

Nectar’s Styles feature dozens of professionally-designed effects chains that let you rapidly audition your voice in a variety of settings and genres. Quickly get the 60s Motown sound, the early 90s grunge rock sound, a radio-ready podcasting sound, a subtle jazz vocal or a modern pop sound—everything from delicate improvements to highly-produced robotic pitch effects. Nectar also lets you dive under the hood and adjust extensive parameters if you’re looking for more control.
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Subwoofer Crawl


Audio/Video Tip: Subwoofer Crawl
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Audiowood Barky Turntable

Knock, knock. Who’s there? Wood. Wood who? Woodn’t you like to know!

Barky is a high-quality turntable made with a solid ash round, quality Rega parts kit, heavy glass platter and Rega RB303 tonearm. It includes a pre-mounted Rega Bias Cartridge (not shown), adjustable solid brass spike legs, and is finished with hand-rubbed polyurethane and paste wax. Each Barky is somewhat unique.

Barky has been seen in Metropolitan Home, Zink, California Home and Design, Velvet (Italy), Daily Mail (UK) and in dozens of online design mags. and blogs.

Barky is available with an external power supply that stabilizes power input and speed control, and allows pushbutton speed changes from 33 to 45. This power supply is $200 extra, and is required for countries with 230V power. International buyers with 230V power will still need to provide their own “table top transformer” to allow use of a US style 60hz plug, or purchase a 230VAC/24VDC transformer from your country-specific Rega dealer

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Shipping is $30 in the Continental US, $100 everywhere else. International buyers need to specify voltage and are responsible for any customs fees assessed in their home country.

This table is a custom order, and should ship in less than 2-3 weeks. If in stock, Barkies will be shipped in 1-2 days. Buyers in Florida will need to pay 7.5% sales tax per Florida law.

Payment forms: major credit cards, paypal, or USPS money order.

Barky comes with a 1 year warranty from Audiowood, protecting against defects in manufacture and assembly. The cartridge is not included in this warranty

If you have questions, please feel free to contact Audiowood via phone at 850-272-4700 (Central). Other info available at audiowood.com

AfterShokz – Safer Headphones that Bypass the Eardrum…

If years of cranking up your tunes to sky-high decibels are taking their toll, the electronics wizards at AfterShokz have created a better way to rock out by bypassing your eardrums completely. The Syracuse, NY-based company, which debuted a trio of headphones at the Consumer Electronics Show in Las Vegas this week, uses bone-conduction technology to deliver sound waves directly to your inner ear. Because AfterShockz doesn’t drown out ambient noise like conventional earphones can, you’ll be able to carry on a conversation, pay attention to passing cars, or maintain awareness of your surroundings while your music plays, all while keeping the peace between you and your fellow man (or woman).

The Technology Behind AfterShokz

Powered by patent pending military special ops bone conduction technology, AfterShokz Bone Conduction Headphones offer consumers a more comfortable, healthier, and safer listening experience. Unlike conventional headphones and earbuds that use the eardrums to transmit sound, Aftershokz headphones sit comfortably in front of the ear and utilize bone conduction technology to deliver stereophonic sound through the listener’s cheekbones to the inner ear. This enables anyone participating in an activity – jogging, biking, skateboarding, hiking, gaming – to stay connected to both what they are listening to and the outside world.

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How Bone Conduction Works

Most of what we hear is due to sound waves traveling through the air to the eardrum, which then converts the sound waves to vibrations and transmits them to the inner ear. Sound waves can also get to the inner ear through direct vibration of the bones in the head which carry the vibrations directly to the inner ear, bypassing the eardrums. This is how a person hears his or her own voice, and also how whales hear. This pathway of sound is known as

bone conduction.

Ludwig van Beethoven, the 18th century composer who was almost completely deaf, tried a technique developed earlier by Giovanni Filippo Ingrassia and discovered he could hear music through his jawbone by biting a rod attached to his piano. The same principles of bone conduction are what make AfterShokz headphones work. (For more information on hearing and bone conduction.