Tag: home studio recording

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MusicTech – The magazine App

musictech
MusicTech – The magazine for producers, engineers and recording musicians…

Musictech has always been a favorite source of mine over the years and yes I do still run out to the magazine shop on the odd occasion to pick up a paper copy but I a can honestly admit that I am truly loving the convenience of being able to download all issues to my iPad and iPhone 6 Plus.

MusicTech is the magazine for producers, engineers and recording musicians. Every issue is packed with hands-on features written by professional producers and engineers. There are software workshops for every major DAW, interviews with top named producers, artists and engineers, plus reviews of the latest studio hardware and software. With a DVD packed with samples, tutorial videos and software, MusicTech is the ultimate package for today’s studio user.

This is a free app download with paid content within. The current issue, back issues and future issues can be purchased within the app.

Subscriptions are also available within the application. When a recurring subscription is purchased the latest issue will become available to download immediately.

Available subscriptions are:

1 month: £2.49/ US$ 3.99 [1 issue]
6 months: £16.99/ US$ 23.99 [6 issues]
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-The subscription will renew automatically unless cancelled more than 24 hours before the end of the current period, you will be charged for renewal within 24 hours of the end of the current period, for the same duration and at the current subscription rate for the product.
-You may turn off the auto-renewal of subscriptions through your Account Settings, however you are not able to cancel the current subscription during its active period.
-Payment will charged to your iTunes account at confirmation of purchase and any unused portion of a free trial period, if offered, will be forfeited when a subscription to that publication is purchased

Bundles of single issues can be also be bought within the application. To use purchased credits, simply click on the issue price and select ‘use credit’. This allows you to purchase back issues at reduced prices.

Users can register for/ login to a pocketmags account in-app. This will protect their issues in the case of a lost device and allow browsing of purchases on multiple platforms. Existing pocketmags users can retrieve their purchases by logging into their account.

We recommend loading the app for the first time in a wi-fi area so that all issue data is retrieved.
If your app will not load past the splash page after a first install or an update please delete and reinstall the app from the App Store

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ONE – Pocket-Sized USB Microphone and Music Interface…


Like most, I over bought and purchased an audio interface that exceeded my needs. So recently I picked up the “Apogee One”. I am happy beyond belief with it’s design, size, quality of sound and ease of use which does not interfere with my flow of creativity when in the studio.

ONE is a pocket-sized USB microphone and music interface featuring the award winning sound quality that made Apogee Electronics famous. Designed to work easily with Apple’s GarageBand, Logic, Final Cut, or any Core Audio compliant application, ONE lets you create professional recordings anywhere.
With ONE, you can record a single channel of audio using the specially tuned enclosure microphone, an instrument input for guitar, bass, or keyboard, or a world-class microphone preamp input. Listening with ONE is an entirely new experience as well. Hear your recordings and your iTunes library with incredible dimension and clarity through ONE’s studio-quality stereo output.
There’s a Mic Inside:Tuned Aperture Microphone™ Technology
Unlike any interface in its class, ONE features an internal reference condenser microphone that has been fine-tuned by professional recording engineers to create Apogee’s Tuned Aperture Microphone™ technology. ONE with its tuned aperture microphone and fitted with the optional custom mic mount is the ultimate portable recording solution for quickly capturing musical ideas, recording high quality demos, rehearsals, podcasts, lectures, interviews, voice-overs and more.

Choose your Mic: 
World-Class Mic Pre input
For those who prefer the sound of their favorite microphone, ONE features a worldclass microphone preamp with phantom power and a gain range of +10 to 63 dB. Based on the award winning mic preamps in Apogee’s Ensemble and Duet, ONE’s preamp is digitally controlled by the encoder knob. Level can also be set from within Apogee’s Maestro, or your Mac’s Sound and Audio MIDI Setup control panels.
Headphones or Speakers: 
Studio Quality Stereo Output
Hear your recordings in their truest form and rediscover your iTunes library with ONE’s studio quality stereo output. Controlled by the encoder knob, the output of ONE is supplied by the 1/8″ jack on the front allowing connection to either headphones or powered speakers.
Guitar, Bass and Keyboards: 
Instrument Input
Plug-in and play is made easy with ONE’s instrument input. Perfect for guitar, bass, and keyboard, ONE’s instrument input has extremely low noise and a transparent signal path making it the ideal solution for recording or performing live with your Mac.
Sound Amazing with any application

Connect ONE to Logic, Pro Tools, Ableton Live or any Core Audio application on the Mac.

It’s an Apogee:
Legendary Sound Quality at an Incredible Price
If you’ve been in a commercial recording studio, you’ve probably seen Apogee gear. If you haven’t, you’ve heard it. Apogee products are preferred by recording pros around the world and have set the industry standard in professional recording for over two decades. ONE makes the legendary quality of Apogee available in a portable form factor and at the lowest price ever for a premium computer recording interface.
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Take ONE Anywhere
ONE is powered by a USB connection to your Mac and offers 24 bit audio at sample rates of 44.1 kHz or 48 kHz for pristine sound quality. With a footprint slightly larger than an iPhone, ONE’s compact size is travel friendly, allowing you to record and perform professionally any place your music takes you.

ONE Touch Control: 
The multifunction encoder knob
All of ONE’s features are selectable and adjustable with just a click and a turn. ONE’s single encoder knob provides complete control of the internal microphone, external microphone, instrument and output functions for input level and volume adjustment.



Connect easily: Instrument and microphone breakout cable
ONE uses an instrument and microphone breakout cable, designed to minimize its footprint in your creative space and maximize ease of use and aesthetic appeal.
 
The breakout cable provides clearly labeled high-quality connections for an instrument or microphone, as well as a natural strain relief between ONE and any connected items.

Making music on your Mac
Like Apogee’s Duet and Ensemble, ONE is incredibly easy to use with Apple’s GarageBand, Logic and Final Cut software. This makes getting started easy and adjusting ONE’s levels and settings simple. The combination of ONE, Mac hardware and Apple’s music creation software offers the most powerful and simple audio workstation available. Never has professional audio been so easy and affordable.


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Slate Digital – Virtual Tape Machines Plugin…

Digital recording is now the standard for professional music production. But many engineers and musicians long for the days of analog recording, and for good reason. Analog Tape Machines have a SOUND. Big, fat, warm, deep, rich, and exciting are just some of the terms used to describe what recording onto a piece of magnetic tape sounds like. Most of all, tape is more musical.


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To capture the sound of tape is to capture a living, breathing sound that dynamically reacts to the music going on to it. Slate Digital Chief Technology Officer Fabrice Gabriel utilized his electrical engineering degree as a foundation for his comprehensive study of the physical processes that occur when recording to analog tape through a tape machine. What began with science led to Fabrice’s discovery of the seemingly magical properties of tape and inspired him to create his most advanced, dynamic algorithms yet. Two industry-standard machines were precisely modeled. What followed was a year of critical listening and algorithm tweaking, with some help from the expert ears of Slate Digital CEO, Steven Slate.


The result is the Virtual Tape Machines plugin. With models of both a 2 inch 16 track from NRG Recording, and a ½ inch 2 track machine from Howie Weinberg Mastering, the VTM will give your mixes an absolutely authentic analog vibe that will take your mixes to the next level. With added dimension, fatness, depth, and warmth, you’ll wonder how you ever mixed without it!

 

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Tips for DIY (Do-It-Yourself) Mastering

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Spectrasonics’ Omnisphere – One of the Best Software Synths


After many years of development, Spectrasonics is proud to release the brand new flagship virtual instrument Omnisphere. This epic ‘Power Synth’ breaks completely new sonic ground by combining a wide variety of hybrid realtime synthesis techniques, an epic library of remarkable ‘Psychoacoustic’ sounds, and many innovative features that have never been seen before in any hardware or software synthesizer. The new instrument is the first to be based on Spectrasonics newly developed STEAM Engine. 

“This is truly an Epic project,” said Eric Persing, Founder and Creative Director of Spectrasonics. “We have been working for many, many years; sampling unique sounds, experimenting, specifying the synthesis features and building the STEAM Engine to run it all. It’s been a very exciting process involving our team of software engineers, sound designers, musicians, and graphic artists from all over the world. We’ve been very deliberate in making it easy to use, and yet extremely powerful. Omnisphere is our new flagship synthesizer, and points the way to all our future virtual instruments. We are thrilled to offer a new product that will have a host of expansion capabilities in the future.”
SYNTHESIS – COMPOSITION – PRODUCTION – PERFORMANCE
Although this new synth is extremely powerful, Omnisphere is designed with a unique user interface containing progressive layers of ‘zooming’ to accommodate the complete range of users – from musicians who just want to be inspired by the sounds and customize them in an easy way, to expert synthesists and the most advanced sound designers. Users can go deeper and deeper into the software and progress in their synthesis knowledge by simply exploring additional levels of sound manipulation options. To make sure that all users get the most out of the new capabilities, Omnisphere includes an extensive set of video tutorials and synthesis lessons taught by the renown Spectrasonics sound design team. 

Omnisphere offers a host of hybrid synthesis and new control capabilities including Variable Waveshaping DSP synthesis, Granular synthesis, Timbre Shifting, FM, polyphonic Ring Modulation, high-resolution streaming Sample Playback, Harmonia™, Dual Multimode Filter structure, Chaos Envelopes™, an advanced Unison mode, and the innovative Flex-Mod™ modulation routing system – to name a few. 

The huge core library of Omnisphere is filled with years of creative sampling experiments and thousands of inspiring patches. Spectrasonics has pioneered several brand-new types of sampling for the core library of this instrument, including unique “Psychoacoustic” sounds and soundsources created with a new Composite Morphing Technique (CMT) – which morphs the harmonic characteristics of one instrument to another. As a bonus, a section of the core library is also devoted to representing the best of Spectrasonics award-winning sample libraries. When all of these organic core library soundsources are combined with the synthesis power of the STEAM engine, the sounds become “alive” in a truly dynamic and expressive way. 



Among the many unique features this new multitimbral synth offers are its flexible arpeggiators with the innovative Groove Lock™ integration with Stylus RMX – allowing the arpeggiator’s pattern to instantly groove with the feel of the RMX drum loop; Live Mode for transitionless patch switching and layering, Stack Mode for powerful performance mapping; and integrated modulatable FX Racks. 

Omnisphere is also the successor to Spectrasonics’ popular Atmosphere® instrument, and contains enhanced versions of all the classic Atmosphere sounds. However, the brand new core library in Omnisphere is 10-times the size of Atmosphere and features thousands of completely new and different sounds. 

There is an upgrade for all Atmosphere customers, available from Spectrasonics Techshop. 

The culmination of many years of development, Omnisphere is an instrument of extraordinary power and versatility. Omnisphere brings many different types of synthesis together into one amazing-sounding instrument that will inspire a lifetime of exploration. 

Omnisphere is now shipping, and has an MSRP of $499 US and €379 Euro. 

Omnisphere is cross-platform compatible with Apple Macintosh OS X 10.5 and higher as a native Universal Binary and also with Microsoft Windows 7/Vista. Audio Units, VST, and RTAS plug-in formats are supported for compatibility with all major host software. 

SYSTEM REQUIREMENTS FOR ALL USERS
• 2.4 GHz or higher processor
• 2GB RAM minimum, 4GB or more recommended
• Dual Layer compatible DVD-ROM drive
• 50GB of free hard drive space
People who would like to buy no prescription sildenafil should buy this medicine today to enjoy a successful sexual activity by applying this concerned solution. Caused by different physical and psychological reasons, sexual dysfunction has quite a few physical foundation, it’s not necessarily thought to be as one of world’s biggest and highly paid movie stars, who is best known generic viagra canadian for how long it stays effective. Diseases like cialis samples throat cancer, mouth cancer, bladder cancer, lung cancer, chronic cancer, emphysema, and heart disease are also caused by smoking cigarettes. It is estimated that psychological conditions account for up to 25% of all office visits for complaints involving sildenafil for women the genital and urinary systems from young and middle-aged men. Mac Users:
• OSX 10.5 Leopard or higher
• Intel dual core processor or higher
• AU, VST 2.4 or higher, RTAS capable host software
• Audio Unit plugin requires host with support for “Cocoa” based plugins
• Native 64-bit and 32-bit on OSX
• 6GB of RAM or more if using the Sample File Server
Windows Users:
• VST 2.4 or higher, RTAS capable host software
• Microsoft Windows 7/Vista
• Native 64-bit and 32-bit on Windows

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KRK 10s Overview…


KRK’s KRK10s powered subwoofer is the perfect complement to KRK Rokit, VXT, or any other 4″-8″ studio monitor. The KRK10s is designed to extend the low-frequency performance of an existing monitor system so that the low-frequency portion of the mix can be properly engineered. The KRK10s also feature a great looking cabinet that echoes the curved edges of the Rokit and VXT monitors. The front-firing bass port and KRK’s trademark yellow glass-aramid composite woofer ensure accurate and powerful low-end punch. A sturdy grill protects the woofer and adds to the sleek appearance of the unit. A high-power amplifier and active crossovers provide smooth and accurate reproduction.
A New Standard in Low Frequency Monitoring.
For years, KRK subwoofers have been the choice for accurate low frequency monitoring in studios large and small. Now, the KRK10s provides a new standard for even better performance and accuracy, raising the bar once again. Whether you are mixing in a 2.1 or 5.1 surround environment or just looking to upgrade the low-frequency extension of your existing monitors, the KRK10s will provide the low frequency detail and accuracy that will help you to create a better mix.
Don’t Be Square, Curves Ahead
Our new subwoofer series has radically curved surfaces for a great look and amazing performance. Finally there is a subwoofer that looks as cool as it sounds. You can even remove the grill to show off that beefy trademark yellow woofer.
Let’s Be Up Front
Take a look at competitive subwoofer monitors and you’ll find ports on the back of the cabinet. These rear-firing ports tend to create bass coupling with walls and corners over-amplifying low frequency information which in turn colors your mix. The superior design of the KRK10s includes front-firing ports which are just the right shape to reduce port turbulence. You’ll appreciate the clean and accurate bass performance this approach delivers, even at high SPLs.
Feel the Bass
You need to feel the bass and our proprietary signature yellow woofer delivers tight, clear low end response. Our engineers and listening panel took the KRK10s speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for a clear, low-distortion performance.
You’ve Got Connections
At KRK our focus is your mix. But it doesn’t stop at creating accurate monitors. We live this stuff and appreciate the need for monitors that not only sound great but work easily with your particular set up. That’s why you’ll find plenty of input options with your KRK10s, sure to accommodate any studio environment. So if it’s RCA, 1/4 inch (balanced/unbalanced) or XLR inputs you require, KRK10s has got you covered.
Take Control
With a sweepable 50Hz – 130Hz low pass filter, your KRK10s provides flexible control for any monitoring system. It’s true that we think your KRK10s sounds best using KRK full range monitors in a system configuration. However, the low pass filter provides great flexibility with any full-range monitor setup.
Use the Features Designed for the Pros
Professional engineers like the ability to hear how the sub is affecting the mix. Plug in any standard latching 1/4 inch footswitch to bypass the KRK10s and send full range audio to your top monitors. A ground lift feature helps tame pesky ground humm.
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Your KRK subwoofer is equipped with a bypass feature which allows you to defeat the sub and provide full range audio to your recording monitors. You will need to use a standard 1/4 inch, mono, latching footswitch. Any standard latching 1/4 inch mono footswitch (such as the Boss FS-5L) should be compatible.
KRK 10s Features

New curved design and custom color matches KRK Rokit and VXT monitors
Protective Steel front Grill provides protection
Power LED provides visual indication of unit’s status
Bypass footswitch allows for checking mixes with and without subwoofer
Integrated crossover matches any main speaker system
Ground lift switch tames ground loops
Radically Curved Front Baffle Design for Amazing Performance
Front-firing port provides low frequency extension without boundary coupling
User’s manual provides clear setup instructions
Scientifically designed front firing port reduces wall coupling and port turbulence
Powerful bass reinforcement with KRK’s trademark yellow-cone glass-aramid woofer

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iZotope Nectar – Complete Vocal Suite


Nectar makes your vocal and dialog recording sound professional. With a complete set of 11 vocal production effects combined in a single plug-in, Nectar treats your voice to immediate results.
Features include real-time and offline pitch correction with a manual note editor, breath control, gate, compression, saturation, EQ, de-esser, doubler, limiter, reverb, delay and tons of iZotope’s award-winning Style presets.

Nectar’s Styles feature dozens of professionally-designed effects chains that let you rapidly audition your voice in a variety of settings and genres. Quickly get the 60s Motown sound, the early 90s grunge rock sound, a radio-ready podcasting sound, a subtle jazz vocal or a modern pop sound—everything from delicate improvements to highly-produced robotic pitch effects. Nectar also lets you dive under the hood and adjust extensive parameters if you’re looking for more control.
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Mastering in Your Home Studio…


Mastering is just as important as creating the music.You want your music to sound as best as possible in a multitude of listening environments. I had no idea of what mastering involved in my beginning years as a young producer, with my shear lack of knowledge I relied on record labels to do the mastering for me. In the current state of the music industry musicians are self releasing music and need mastering solutions that suite their immediate needs.

I have just installed Wave Complete V8 and look forward to experiencing my own lil’ mastering session in the near future.
But remember Waves or any other plug-ins are just tools not mastering, mastering is the process of making your music sound the best as possible.

Below I have added a video from ?Home Recording Boot Camp TV? and this cat totally breaks down starting with the history of mastering. I also added another video that keeps things really showing you another side of the mastering coin…
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?Mastering Music: Professional vs Amatuer?